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Well, it’s 2019, and it’s time to talk about the Worst to Best of 2018’s animation line-up. Overall, 2018 was a vastly superior year for animation, as it wasn’t just a few good major releases and a ton of great indie/foreign releases like 2017. 2018 was a year full of surprises, and, for the first time in a while, the number of really bad movies felt shorter, and not as bad as other years like 2011, 2017, or were as bad as the worst of 2016. It also proved to be one of the few down years for Disney and Pixar, as a Sony Pictures Animated film took home the most awards, and rightfully so. Anyway, the rules for this list are the same. They had to have come out in 2018, and were in the running for the 2018 Oscars and Annie Awards. No straight-to-DVD films, unless they are of some major importance in the animation pop culture realm. Like usual, I will also be including the animated Netflix films, because unlike most animation lists, I actually saw every animated film released in the US and in the running for the Oscars. So then, let’s get started!
43. Duck Duck Goose
While Netflix’s upcoming animated feature line-up sounds incredible, Duck Duck Goose was by far the worst animated feature I saw last year. It was obvious that after multiple delays, it was shoved onto Netflix with no fanfare. It’s not a great looking film, the writing wasn’t anything note-worthy, characters were wildly inconsistent in personalities, and it was really gutsy to think that it had a chance in being in theaters. I felt badly for the studio that made it, because now it’s going to be labeled as another example of a studio wanting to dump a film that won’t do well, and give it to Netflix. I liked Jim Gaffigan in it, but that’s because he’s Jim Gaffigan. Outside of that, there is no real reason to go see this flick.
42. Gnome Alone
I was wondering where I should put this one, because it’s just as bad as Duck Duck Goose, but Gnome Alone feels more cohesive and consistent in terms of tone, writing, and animation quality. It’s another film that was in limbo, because the original distributor was probably on its deathbed, and while there a few decent ideas that could have made this mildly more amusing than other films on this list, they don’t go far with it, and it’s another film that has a decent cast, but you will not find any info on them talking about it at all. At least, I couldn’t find anything. It’s fairly generic and pretty forgettable. Hopefully, Netflix picks and chooses what they release in the future, so they don’t end up with tripe that no one will be talking or caring about after it’s released on their service.
41. Happy Family
Yeah, the entire bottom part of this list will be including many of the “was released in theaters, but no one cares” animated films of 2018, and Happy Family is one of them. It could have been an interesting flick about a family that ends up getting turned into the monsters they are dressed up as, but they didn’t take advantage of it in any of the correct ways. The characters are unlikable, the animation is dated and not theatrical quality at all, and the story gets a bit bonkers as it goes on. I hate that a lot of talented actors were attached to this, because this film does nothing for their careers. Maybe a more talented group of filmmakers could have made this better, but there is a reason no one remembers this came out last year.
40. Son of Big Foot
The direct-to-video animation market had a dry spell last year, with no real major clunkers reaching theaters, but this carryover from 2017 was the only major animated direct-to-video film that was getting any kind of talk. It’s an absurd idea that’s not handled well, more animation that’s not entirely impressive, and a story that doesn’t really take advantage of how insane the premise sounds. It comes off like no one knew how ridiculous this setting was and played it entirely straight. The only major reason to watch this movie is to get a few friends together and grab a few beers to have a night full of laughs. Yeah, that’s not really a positive endorsement.
39. Netflix’s Godzilla Trilogy
At first, I was going to make them take individual spots on the list, but they only work as one big movie, and they all are terrible. Clunky CGI, a boring drawn-out story, too much focus put on the humans, not enough monsters and giant monster action, and it had the wrong writer to craft a story that was worthy of Godzilla. I know some people love these three films, but I really can’t stand them. To me, this trilogy showed everything that was bad about both anime and the king of monsters. I already reviewed it, so you can check the review out on my website, but I would rather watch giant monsters duke it out Pacific Rim-style next time than what we got with this trilogy.
38. Sherlock Gnomes
The real reason why this film is up this “high” on the list is because while the marketing for this film was awful, the two leads from the previous film were side characters in their own sequel, and the story as a whole is clunky and soulless, I could understand actually watching this film again. Honestly, it turned into a “better” movie because of how bad the marketing was, and how those jokes were only there in the trailer. There are a few solid performances, like Depp’s Sherlock, and the 2D animated sequences were easily the best part of the film. Sadly, outside of Elton John, no one really cared or wanted this movie to be made. Luckily, Sherlock Gnomes won’t be Paramount’s biggest animation blunder this decade, which, as of writing this, goes to Wonder Park.
37. Scooby Doo & Batman: The Brave and the Bold
I don’t really talk about Scooby Doo on this site, but it’s mostly that I am avoiding the mountain of direct-to-video and the mediocre live-action films. I had to talk about this one as it combines the Scooby gang with the iteration of Batman that combined action and comedy. While I was amused and entertained somewhat, I felt like this film didn’t really know how to balance it out. It couldn’t focus enough on either the Batman or the Scooby Doo element to make either part feel cohesive. It felt more like an average episode of either show. Still, it had a few decent moments and some good voice performances. Check it out if you want, but you aren’t missing much if you don’t. At least it’s not that Tom & Jerry and Willy Wonka and the Chocolate Factory film.
36. Have a Nice Day
Ah, yes, the Chinese “animated” film that caused a stir at Annecy 2017, and then was quickly forgotten. It’s a shame too, because I was very intrigued by the dialogue and the characters. It had some great dark comedy bits, and while the animation was limited, you could still feel the tension during certain scenes. I do wish this had more animation to it, and the ending didn’t just happen abruptly with no real conclusion, but it’s an interesting film nonetheless.
Yeah, I was sad to put a GKids release this low on the list. Fireworks is not a good movie, and it’s fine if you like it, but for me, it’s up there as one of GKids biggest distribution disappointments. The characters were unlikable, the side male characters were creeps, and the premise and animation weren’t fully up to par. It’s interesting when you find out that this was an adaptation of a live-action television drama episode of a series called If, but that’s the only interesting thing about it. They could have easily taken this premise to much bigger heights with the whole rewinding time mechanic, but it comes off like this was only greenlit because Your Name was a hit. Maybe someday, another studio will find more to do with this idea, but for me, Fireworks is low on my priority of GKids purchases.
34. The Wolf House
While I still found this film to be sort of boring and overly-long at 75 minutes, The Wolf House is way more interesting when you find out about the context in which this film takes place. This includes a compound that was founded by a German who escaped Germany and fled to Chile, to avoid pedophile charges, and the compound was full of monstrous acts of child sexual abuse, abuse towards it members, and so on. Yeah, that’s not entirely clear when you first see it. If you look at this with its own slow-burn horror film style, it’s surprisingly atmospheric, with an entire house being used with painting and stop-motion animation. It’s quite a technical achievement. Still, even for its short runtime, it seems fairly long, and most of the context will be lost on people who aren’t aware of this subject and history. It’s an interesting film if you can find it, but I don’t know how many will dig it.