Lists

Worst to Best Animated Features of 2017 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome to part 2 of the list! If you have not yet read part 1, then please do so to see films that will not be on this part of the list. We are counting down from the worst to best of the animation offerings from 2017!

28. The Nut Job 2

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While it’s a marginally better sequel with better animation, better physical gags, a decent villain, and more entertaining voice work, it’s still not much better than the original. It’s still annoying, filled with annoying characters, and underutilizes its gimmicks. The Jackie Chan mouse is barely used. If you are going to have Jackie Chan, use him! Plus, this was only greenlit because the first one made money in a slow month back in 2014. Well, I hope the company that’s going under hoped it was worth the cash they spent and lost on it.

27. Batman & Harley Quinn

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While slightly better than many of the mediocre DC-animated features, it’s still a mess, no matter how you look at it. Most of the jokes don’t work, it’s too focused on Harley Quinn fan service, the story abruptly ends, and the animation quality dropped a lot in certain scenes. However, when the jokes did land, it was a laugh riot, and probably has one of the best mid-credit scenes out of any DC movie. It’s also always nice to see Kevin Conroy as Batman. Not the best, but not the worst, it’s pretty much okay.

26. Blame!

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It might have some fun fight sequences, some creepy designs, and a decent twist that caught me off-guard, this film works better as a world-builder than anything else. I didn’t care much for the characters, the animation was clunky, and sometimes, it looked like they duplicated character models. It has its moments, but I can see why this one got buried.

25. Smurfs: The Lost Village

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Man, even being the best of the films based on the Smurfs franchise still doesn’t mean much. It has visually beautiful animation, pleasant designs, good voice work, and some likable characters, but it seemed like they stopped halfway through production, and made it another forgettable animated feature. I do like a couple of aspects of it, but it still could have been better.

24. The Boss Baby

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I do think the hate this film got back then and still does is a bit much. It’s really not a bad movie. It has some of the best animation from 2017, some good laughs, and physical comedy that made me watch it as a film to just turn on and chill to. However, I still found the emotional investment of the characters to be lacking, because I never cared about what happened. It also shouldn’t have been nominated for Best Animated Feature, but it’s been almost a year now, and it’s time to let that go. I’m also not really looking forward to the sequel, but I hope it can be just as zany and visually entertaining as this one.

23. Despicable Me 3

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Man, this franchise got to the third film fast! While I think it’s technically the best one of the franchise, with great animation, a fun villain, the Minions not being in the film a lot, and Gru still being the best character of this entire franchise, it still falls flat. It had so many potential story arcs that it could have been fleshed out, but it chose to be the safest animated feature of 2017. Sooner or later, Illumination, you will need to start putting more emotional effort into your films, or people are going to get tired of the Minions and this franchise fast.

22. Cars 3

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Speaking of being the best film in an alright franchise, Cars 3 was a surprise. While it has its own pacing problems, more wasted potential with its story and villains, it also has the best animation, some of the story moments were touching, and Lightning is more worthy of my time than in the other films. It’s still the final film in a trilogy that gave Pixar their first official bad movie, but still.

21. Ferdinand

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While I can definitely still be mad that this film wimped out on its more serious tone, it’s forced family film tropes, and how it also shouldn’t have been nominated for Best Animated Feature, I still found myself really enjoying Ferdinand. It has some of Blue Sky’s most likable characters, best voice work, and some of the darkest story moments. I just wish it committed to its tone and not take the easy way out.

20. Teen Titans: The Judas Contract

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I could complain about how Brother Blood is a weak character, and the fact that if you have seen the 2000s Teen Titans show, or read the comic, you will know what happens, and they kind of kept one of the ickier parts of that storyline partly in the film. Outside of that, it’s still a pretty good flick! It gives the rest of the team time to be fleshed out, the action is great, the writing is better, and Damian isn’t the lead character! It did essentially sequel-bait as well, but overall, I still enjoyed this DC venture, and I hope the next film is even better.

19. Captain Underpants

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Now, we are heading into the films I loved from this year. Captain Underpants must be one of the biggest comedic surprises from last year. It had vibrant and wonderful animation, great jokes, was hugely entertaining to watch, and it was all done with a budget of $30 mil! That’s incredible! Sure, it had a few jokes that didn’t land, and its humor is not super original, but I find myself watching this film a lot!

Worst to Best Animated Features of 2017 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

I apologize for this being so late, but here we are! This is the Worst to Best of Animated Films from 2017! It’s easy to look at 2017, and see it as not that fantastic of a year for animation. There was very little to be excited about, and it felt like the big studios dumped all of their filler projects in one year. It definitely looks inferior, compared to 2018’s line-up of animated films. However, looking past the big budget film scene that honestly had only two good animated features, the indie/foreign scene in 2017 was actually drop-dead amazing. It might actually be the strongest year for indie/foreign films since 2013. As usual, the rules are the same for these lists. They must have been released in the states in 2017. They also must be a part of the Oscar submission list. I sadly won’t be able to get to The Big Bad Fox, because GKids is, for one reason or another, not putting that film out yet, and I simply do not have the time to wait any longer to see it. I won’t tackle any direct-to-video films unless they are the DC-animated features, or if they are a big deal. Let’s get started!

39. Guardian Brothers

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Man, talk about a pointless film. While the original Chinese version is not that great either, at least it had a point to it. The Weinstein cut took out the one theme that made the film worthwhile, and they made it a bland, boring, obnoxious, cynical, and utterly pointless animated feature. It has decent animation, but it’s nowhere near as impressive as China’s Big Fish & Begonia. Screw this movie, and screw the Weinsteins for being utter garbage people, and utter garbage animation distributors. I am so happy they are gone.

38. Spark: a Space Tail

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The only thing this film has going for it, is that it was not Guardian Brothers. It was at the very least, presented as intended. It’s still a horrible film though, with bland visuals, boring jokes, unlikable characters, and generic action. It’s also one of two films from 2017 that wasted the talent of Sir Patrick Stewart. I saw no reason why this film needed to get made, when it’s full of nothing original or creative. Maybe Open Road Films will make sure to pick up better films in the future, but for now, they need to find something more worth their time.

37. A Stork’s Journey

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While I commend German animators trying out CGI theatrical animation, it helps when you have a thought-out film. This film’s CGI is ugly, the animation looks unfinished, and the characters are either forgettable or unlikable. I hated these characters, and they were a real reason why this film did not work. I liked the owl and her backstory, but that one character alone is not worth watching this film that Lionsgate thought was a good idea to bring over.  I also wish Lionsgate would stop thinking that just because a YouTuber is in it, it means people will buy it. 

36. The Deep

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This film is insane. While it has slightly better textures and animation than A Stork’s Journey, the lead character is just as bad. He is a selfish, inconsiderate brat. The film also doesn’t know how to make its world-building  sound logical with what happens in the third or so act. The only reason it’s above A Stork’s Journey is purely because of technical aspects. It actually doesn’t look that terrible for a very limited/straight-to-video release. It also outright lies about saying the people that worked on Madagascar made this film, when I couldn’t find anything about them. Unless proven otherwise, they lied in their marketing.

35. Leap!

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While not the worst of the Weinstein-distributed animated films with the least amount changed, it doesn’t mean it’s good. I can see it being a guilty pleasure, or a favorite among young kids, but it’s an awfully forgettable experience. The characters are not that memorable, it’s predictable, the music is not catchy, the acting was a touch annoying, and there were story points that felt out of place. While the animation was better than most films, the super-realistic textures to everything made more comedic moments look creepy and unrealistic. The dancing is sort of nice, and I didn’t hate the lead character, but if Hollywood wants to advertise great European animated films, they should have pushed The Little Prince and the many French films GKids brought over, like The Girl Without Hands, more than this forgettable, if ultimately harmless film.

34. The Emoji Movie

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Yes, if I was only doing the major releases, this would be the worst of the animated films. Yes, it’s cynical, uncreative, boring, and annoying. However, how many people actually saw this film from beginning to end? Yes it’s a horrible movie that Sony shouldn’t have rushed out and put into theaters, but at the same time, no one really talks about it anymore. It’s bad, but it never had any long-lasting value, outside of being infamous on the internet. It’s still nicely animated, and I liked some lines and sequences, but yeah, this movie is not good.

33. Seoul Station

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Listen, there is nothing wrong with a prequel story. They can add more lore and world-building to the original film. However, Seoul Station fails as a prequel. It doesn’t truly say how the outbreak in Train to Busan happened, the characters they focus on are bland, the story doesn’t really do all that much to add to Train to Busan, the animation is stiff, and the dialogue is not all that great. I wish I liked this more, because I think Asian countries outside of Japan can make some truly good work. I just don’t think this is one of them. It’s real only highlight is that you get to see an animated film that is a horror flick. You don’t get to see that often in the animation scene.

32. Nerdland

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You would think a comedy starring Patton Oswalt and Paul Rudd would be amazing, but this was not. You can tell this product flip-flopped in development. The characters weren’t all that likable, the jokes didn’t really land, and its depiction of Los Angeles was boring and typical. However, I do like the art direction, and when it was funny, it was really funny. I just wish I could have been more positive about the film, but I’m not going to give it a pass, because it happens to have two of my favorite actors in it.

31. Sahara

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I was honestly curious about this one. I was surprised to see Netflix bring it onboard for the US, and was wondering why they didn’t really advertise it. Well, once you watch it, you will see why. The English dub was so obnoxious, that I had to switch it over to the original French dub. The animation was not all that great, and the story was cluttered and forgettable. I liked some of the color usage, some of the dancing, and the few quiet moments, but they weren’t enough to make this a good experience.

30. The Star

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Boy, did this not need to be in theaters. If this was on Netflix from the start, that would have been fine. It’s probably the most positive of the Christian-based family films, and even with a $20 mil budget, its animation is not super terrible. However, it was still not all that funny, the story was boring, the side characters were too many and not at all entertaining, and I just felt badly for the cast that had to be in this movie. Again, it’s harmless, but there was no real reason this had to be in theaters.

29. Rock Dog

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 This movie’s development history, Lewis Black, and Eddie Izzard are the only good/interesting aspects to this film. The lead is bland, the film needed a bit more cash to polish out the animation, and it was a mess story-wise. It felt like it didn’t know what it wanted to be, so it copied a bunch of other elements from other and way better films. It has its moments, and I like the song at the end, but sadly, when this is one of Lionsgate’s better animated offerings, you know something is up with this film.

 

Stay tuned for Part two in the future!

Animation Tidbits #9: Annecy 2018 Part 4

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Welcome back to the unexpectedly amazing Annecy 2018 breakdown! This will be the final editorial about this festival before the June viewing of the event. This will include films that are being shown either fully made, or are in the final stages of completion. It will include both big budget films and smaller films. If you haven’t seen part 1, part 2, and part 3, then you should definitely go to those and see what the world is doing in animation.

Other Films

Wreck it Ralph 2: Ralph Breaks the Internet: While I enjoyed the first film, despite it losing steam in the third act, I found it to be one of the more interesting Disney-animated features, that revolves around a technology-based setting. It’s definitely a bit disappointing that they are moving to the internet to make fun of that, rather than going from arcade games to console games. Granted, the bit about click bait, Ebay, and the mobile game were funny, but since the original film skimped on the video game stuff, you kind of felt like you were deprived of what the film was advertising. Still, I am excited to see how this film turns out.

Hotel Transylvania 3: It’s not a perfect franchise, and there are definitely really crummy things about it, but I’ll admit, I do like watching these films. I don’t crave them all year long, but Genndy Tartakovsky has brought a lot of life and personality to animated features, that I hope he can bring more to in the future. While the plot for this film seems a tad clichéd, since now Dracula is going on a cruise to relax and maybe find a new love interest, I still hope it can be good.

The Incredibles 2: While many really love the original, it was interesting to see how people reacted to the sequel’s trailer. There are talks that it might have major sequelitis problems, where the roles have been reversed with Helen Parr being the superhero that goes around saving the day, while Bob helps the kids. I don’t fully agree with the negative backlash or concerns, but I get where they are coming from. It still has some interesting ideas that I hope are more fleshed out in the film. The animation is beautiful, and I love the addition of Bob Odenkirk as a new character in the film.

White Fang: Probably the most anticipated animated feature that will be distributed by Netflix this year. It’s by the director who did the award-winning short Mr. Hublot.  It’s an adaptation of the 1906 novel of the same name, but this time, with a rather vibrant art style. Sure, you can kind of tell there is something weird with the human movements, but the colors are what really bring this film up to another level. I love how everything looks painted, and it definitely gives the film a lush and identifiable identity among the animated films this year.

Another Day of Life: This is yet another mature animated feature, telling the story of what happened during the 1973 civil war in Angola. The story is told in a vibrant and beautiful underground comic book art style. It might look like a lot of rotoscoping was used, but you can’t deny that its colors and advantages with animation will make this story of a horrific event interesting to watch. It will also supposedly have a few moments of live-action sequences thrown in by the person that documented this incident. It reminds me of 25 April and Waltz with Bashir. I can’t wait.

Animation Tidbits #8: Annecy 2018 Edition Part 3

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Welcome to Part 3 of this look at Annecy 2018. This time, instead of looking at the films that are complete and are in competition, or out of competition, we are going to look at the films that are “in progress”. These are films coming out later this year, or are getting made for viewings for the upcoming year. While they will have TV work, I’m not going to cover that here. I also won’t be talking about films like Spies in Disguise, because there is no trailer for that upcoming Blue Sky Studio film, and I already talked about The Swallows of Kabul, which looks amazing. Let’s get started!

Work in Progress

Spider-Man: Into the Spiderverse: While I definitely understand where a lot of the criticisms aimed at Sony Pictures Animation are going, you can’t deny that Sony is actually one of the few studios willing to take risks with visuals. This is exactly the animated feature Sony needs to shake things up a bit. While some have complained about the movement fluidity, it’s a visual marvel. Its comic book art style pops, and brings something wholly unique to the animated feature landscape this year. I just hope the story can match the visuals. It has the potential to be one of the best animated feature films of 2018, and I want it to live up to that expectation.

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The Famous Invasion of the Bears in Sicily: Now that we got the first western feature out of the way for this list, it’s time to go back to our foreign offerings. This upcoming French/Italian collaboration is about a group of bears that live in the mountains of Sicily. Due to a harsh winter storm, they are forced to move down from the mountains. Along with that situation, the bear king has another motive of getting back his son, who was taken from him. While sadly, there is no trailer for this film, some of the screen shots and the poster shown look promising. I love how vibrant the colors are, and the designs are pleasant to look at. It’s a film that also has its own identity in terms of visuals. Can’t wait to see what happens next, and who might distribute it.

Bunuel in the Labyrinth of the Turtles: Movies about famous or infamous filmmakers is nothing new. Last year, we got The Disaster Artist, and a few years back, we got that one film about Alfred Hitchcock. This film is about Luis Bunuel, a filmmaker that almost lost his career during the Golden Age of film, and how he saved his career with a documentary. Because it’s an animated film, it can take full advantage of unique and surreal visuals that the director was known for. It also happens to have some of my favorite human designs. It just looks interesting to me, and they can take advantage of telling a fascinating story through a creative medium. Just because it’s animated, doesn’t mean you have to tell a family friendly story.

Penguin Highway: Based off the book by the same author of Tatami Galaxy, Tomihiko Morimi, Penguin Highway follows a young boy who must find out why a bunch of penguins have shown up in his town. Since this is by the same individual who did Night is Short: Walk on Girl and Tatami Galaxy, there is probably going to be some kind of symbolic meaning behind the penguins. The animation looks great, and I rather enjoy the absurd setting. The only thing I’m not really fond of is this young boy crushing on a dental assistant who’s much older than him. It’s a little weird, and the trailer constantly has points emphasizing her chest. I know boys get curious around 4th grade about sexual stuff, but I hope it’s not too creepy of a dynamic, because it does seem like a charming film. We can only hope for it to not be super weird. I know sex jokes are a popular thing in Japanese anime/comedy, but that stuff doesn’t really translate well at all to other countries. Otherwise, it looks like a good movie, and I hope I can check it out.

Animation Tidbits #7: Annecy 2018 Edition Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Last time, we looked at the Annecy’s In Competition line-up of films. Now, we are going to look at the Out of Competition films. These are the films that are showing, but not competing for the awards. It doesn’t make them any less interesting or important, because some of the films in this section are important. Let’s not waste anymore time, and let’s dive into the films that look the most promising to me. If you want to see part 1, you can go to this link right here! Let’s get started!

Out of Competition

Captain Morten and the Spider Queen: While its use of stop-motion might be more similar to something like My Life as a Zucchini, and less of the Aardman and Laika-style, this film does look creative. The story is about a boy who is shrunk down to a small size, and must sail his toy boat across a flooded café, avoiding the Spider Queen and Scorpion Pirate. Hopefully, they take advantage and have some fun with the “I shrunk down to the size of an action figure” setting, and it also seems like it’s going to be more than just a “shrinking movie” with everything probably having some kind of symbolic meaning to it.

Chris the Swiss: Here is one of the few partly animated, part-documentary films from this event. Chris the Swiss tells the story of, well, a Swiss man named Chris, who decades ago joined an army, and died. His cousin, an animation film director, decides to investigate what exactly happened with Chris, from what was going on at the time, and from the journals and war reports going on. I’m definitely curious to see where this takes us, in terms of the story, and how much animation will be in the film. It definitely will give us some unique visuals and a dark and interesting tone you don’t see in a lot of animated features.

Chuck Steel: Night of the Trampires: There is a surprising amount of stop-motion at this year’s festival. Chuck Steel is essentially an 80s action cop film about Chuck Steel, who must save the day from an outbreak of Trampires, a horrific mixture of vampires and homeless people. It’s definitely aiming for that dumb schlock fun, and the stop-motion reminds me of the work by Will Vinton. It has a lot of detail and personality, and while it definitely shows the budget at times, Chuck Steel will hopefully be a fun time.

Hoffmaniada: Man, we are just getting so many of stop-motion projects this year. This is the story of a writer who gets sucked into his own book, and must escape the world in which the book takes place. It seems like it would lead to many creative and surreal visuals. I have seen about 30 minutes of the film, and it looks great. Sure, it looks like if the Rankin & Bass team had more budget in their specials, but the designs look great, and it reminds me of a lot of period dramas, due to the designs. Hopefully we can get a distributor like Good Deed Entertainment to bring it over.

Liz and the Blue Bird: From director Naoko Yamada, the individual behind the critically acclaimed A Silent Voice, is back with a new film called Liz and the Blue Bird. It follows the story of two female high school students, as they bond and get over challenges that life brings them while they are in band class. I think everyone can relate to when reality strikes you down, and starts to cause fissures around your life that will inevitably cause change.  It definitely looks interesting, and since it’s the same studio that did A Silent Voice, the animation is gorgeous. Sure, it has a bit of that “anime-style” that will probably turn non-Japanese animation watchers off, but the story sounds promising, and from what reviews I have read, it sounds like it’s going to be a good movie.

Maquia: When the Promised Flowers Blooms: What’s fairly cool about this year’s selection is that there are two female-directed Japanese-animated films. Liz and the Blue Bird, and this film, Maquia, by director Mari Okada. This one tells the story about a young woman named Maquia, who lives with a bunch of magical beings that weave the threads of human fate. One day, an invasion happens. She survives, but also finds a young boy to take care of, who was a survivor of the attack. Like our previous film on this list, it has some anime design choices I don’t personally care for, like the human designs, but I can overlook that, due to the goal and themes of the film. Okada is implementing themes of motherhood and adolescence into a touching tale. I trust she’s going to do a good job, and on top of Mari Okada, who was the screenwriter for The Anthem of the Heart, you also have character designer Akihiko Yoshia (Final Fantasy Tactics), and the music will be composed by Kenji Kawai, who did the music for Ghost in the Shell. I just love that more female directors are getting to work in animation, and are bringing in new perspectives, something that is sorely needed in animation.

North of Blue: This film by famed indie animation director Joanna Priestley is a visual wonder. It’s a film that’s more of an emotional and visual experience about our history and connectedness. It’s definitely a film that you are either going to love, due to all the emotion that the downright amazing visuals bring, or think it’s all style and no substance. I didn’t know what to expect when I watched the trailer for this film, but I can’t wait to see it!

On Happiness Road: So, I have been on the record of loving Only Yesterday, because it brings up adult topics of being adults, and looking back at our past to see if we are fine or happy with where we are now. This animated feature from Taiwan, On Happiness Road, directed by Hsin-Yin Sung, looks to capture that aspect that I loved about Only Yesterday. Yes, the animation looks more like a really good indie animated short from YouTube, but I think what’s going to help this film is the lovely visuals, writing, and the characters. I think everyone has had a moment to look back at where they are now, and wonder if they are accepting of what has happened since being a child. Plus, how many animated features from Taiwan do you see that look super promising? I can’t wait to see how this one turns out.

The Last Fiction: This action fantasy flick, based on the Iranian tale, The Shahnameh (The Book of Kings), is coming to us from Iran by director Ashkan Rahgozar. While there are definitely bits and pieces that you can point at to show off the budget, when are you ever going to get an action animated feature? So many US-made animated features don’t have variety, and while some have action sequences, a lot of them are played up more for laughs, than to watch something thrilling. It looks like a grand epic, and while it can definitely be compared visually to something like Avatar: The Last Airbender, I’m happy to see something coming from Iran. The more countries that invest into high quality animation, the better.

The Tower: I swear this is the last stop-motion film on the list. There are simply too many to count this year! This multi-country collaboration is a mix of 2D flash animation and stop-motion about a young girl living in a refugee camp. While its stop-motion looks like the style used in shows like The Amanda Show or the Oscar-nominated Negative Space, and the flash animation might not look impressive to many, it’s going to have to come down to the story and the characters to push us through the experience. I definitely think this has potential to be well-received, but we will have to see.

The Angel in the Clock: While I can definitely criticize some aspects, like the art style and the animation looking a bit too child-friendly, I have to give respects to Mexico for their entry in feature animation. It’s also a story that would get no traction from the big animation studios here in the states. It’s about a young girl who has leukemia, who wants to stop time. She then meets an angel named Malachi that lives inside her cuckoo clock. I love the idea that this film is going to be tackling such a dark and uncomfortable topic, and talking about how more people need to learn to enjoy what’s happening here and now, and worry less about the future. Like I said, the animation and designs are not my favorite, but the visuals look great, and I’m always down for more films aimed at children to tackle different topics.

A Man is Dead: And finally, we have this hour-long French animated feature called A Man is Dead. It’s based on the comics that are set during the strikes in Brest back in April of 1950 that caused the death of a union worker. While again, definitely showing its budget, it also does a good job to bring us into this rather tough and violent time period. Yes, the characters look like French comic characters with the small dot eyes, but we will have to see how the story and pacing carries over the span of the film. It doesn’t have a lot of time to get an entire story told, because it’s an hour long, but as usual, any film that talks about certain periods of time that are unique and original through the power of animation, gets my thumbs up and approval.

Thanks for reading! Next time, we will be looking at the films in the “Work in Progress” section!

Animation Tidbits #6: Annecy 2018 Edition Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

For every kind of hobby or job, you bet there is going to be a massive festival, convention, or what have you, to celebrate all that. Like, for me, you’ve got your gaming events like E3, and for the sake of this article, your Animation is Film Festivals and Annecy. For this editorial, I’m going to be talking about the Annecy 2018 festival. I always look forward to seeing what the rest of the world is doing, and it shows that the foreign animation scene is still incredibly healthy. I’m going to only go over the choices in three categories of the festival. I will be talking about the films competing, the films showing out of competition, and the films in the work-in-progress section. However, I won’t talk about previous films that I have talked about in the past Animation Tidbits editorials, like The Breadwinner and Gatta Cenerentola. Let’s get started with the films In Competition.

In Competition

Funan: This is a film by Denis Do, and is from Belgium, Cambodia, France, and Luxembourg. It’s about a woman who has to fight back and survive during the Khmer Rouge regime. Its animation reminds me of Long Way North, where they had the human designs, and everything else lacks the black outlines. It doesn’t seem to shy away about the horrific incident during this period in time, and what happened to the people in Funan.

Mirai: It’s always an exciting time when Mamoru Hosoda is making a new movie, and Mirai is interesting. If you haven’t heard about this film, it’s about a four year old boy, who has to deal with getting a new younger sister. However, while in a garden, he ends up meeting a woman who happens to be his future younger sister as a teen. It has a lot of Hosoda’s wonderful touches, like his gorgeous animation, distinct character designs, and his focus on themes of family with a magical element to it. While I love most of the Japanese/Asian-animated films released stateside this year, I really can’t wait to see Mirai.

Okko’s Inn: Okko’s Inn is based on a manga and anime series. It’s about a young girl who helps her grandmother at her hot spring inn, and learns how to run it. Along the way, she ends up meeting new human and supernatural friends. I’m a bit turned off by the art style, due to the more simple designs. I’m also fairly concerned with how the story will be handled, due to the fact that while it’s not going to be based on any stories in the series or books, anime film adaptations of existing properties don’t always end up being that good. Still, that could simply be me not being that impressed by its trailer. If we can actually see this film in the states, I would be down to checking it out.

Seder-Masochism: If this trailer’s art style and vibe look familiar, it’s by the same director who did the very interesting Sita Sings the Blues, Nina Paley. This story follows multiple stories, including the story of Moses, the angel of death, and much more. While it is definitely on the more limited budget side, it’s visually amazing, it has its own personality, and once again, the music choice is inspired. This just reminds me that I need to review Sita Sings the Blues.

Tito and the Birds: This is one of the few South American (specifically Brazil) animated features that caught my interest. It is the story of a boy who must save his city from an epidemic that causes people to get sick when they experience fear. At first, I was concerned about the visuals, while watching the trailer for this film. The movements looked stiff, but with the help of fluid expressions, colors, visuals, you don’t really notice some of the clunky movements. I’m curious to see how in-depth they go with this “fear epidemic” situation, because I could see something similar to how propaganda was used in Ralph Bakshi’s Wizards. Tito and the Birds definitely has me intrigued.

Wall: While some people probably could argue that this film’s animation shouldn’t count, since it looks like Waltz with Bashir and the upcoming Another Day of Life, but it’s not really live-action either. The striking visuals tell the story of the wall between Israel and Palestine. It’s more grounded and more serious than other entries, and I’m curious to see how much advantage they take of the film being animated for some creative visuals. It will include politics, social issues, and economic topics that are caused by this wall.

The Wolf House: Probably the creepiest animated feature of the festival, this stop-motion nightmare of surreal and disturbing imagery is about a woman who finds refuge inside a house, while hiding from German religious fanatics in Chile. You definitely have to watch the trailer to see how insane some parts are.  This could also lead into a style-over-substance experience, but we will have to see how dreamlike the film gets, before it becomes too much. Still, I wasn’t expecting something like this, and I can’t wait to hopefully see it someday.

That’s it for part 1! Next time, we shall look at the films in the Out of Competition category.

Favorite Shorts from the 19th Animation Show of Shows

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial/list!)

Recently, I went with my dad to the 19th Animation Show of Shows. This was a viewing of 16 different animated shorts from around the world. It was a blast, and there were plenty of amazing shorts that were shown. I decided to do a list of my favorite ones. I’m not going to go in any order, because one being better than another one came down to splitting hairs, and really, they all deserve a place on this list.

Can You Do It

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This was the first short shown as a cool mix of CGI and a wonderful modern pop art style by director Quentin Baillieux. While it is a glorified music video for the song by Charles X, it’s a fantastic and fairly optimistic song laid over a mix of economic classes, coming together for this one event. It’s an incredible short, and has an incredible song.

Next Door

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While this short is from 1990, this 2D animated short from now-famed director Pete Docter was full of charm. The 2D animation was fluid, and the cute story of a young girl and a grumpy old guy bonding over something made my heart flutter around with happiness. It’s also a good historic short for people curious to see Pete’s earlier work.

The Alan Dimension

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This was a fun and charming short by Jac Clinch. Its mix of 2D, CGI, and stop-motion made it one of the more visually unique animated shorts about an old man who has this special power to see into the future. It was the right balance of funny and heartwarming, as it showed what happens when you think too much about the future, but not enough about what’s important to you right here and right now in the present.

Hangman

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If I was putting these in order, I think Hangman, a short from 1964 by Paul Julian and Les Goldman, that was remastered in 2017, would be my favorite out of the 16. This animated adaptation of a philosophical poem, while lacking in pure 2D animation, made up for it in a strong, foreboding, eerie, and uncomfortable atmosphere. Seeing how the Hangman worked, and how the people reacted to the individual was the highlight of the short. While a lot of it was still frames, I could argue that when there is animation, it elevates the horror aspect of the short. You can find it on YouTube (though not in amazing quality), but if they can somehow restore this, and upload it to YouTube or on a DVD with some extras talking about it, I would definitely recommend checking it out.

Gokurosama

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After Hangman, my second favorite of the shorts was this French animation called Gokurosama. It was an effort by Clémentine Frère, Aurore Gal, Yukiko Meignien, Anna Mertz, Robin Migliorelli, and Romain Salvini. The CGI animation was perfect for this type of short. It had a nice misty glow to the entire Japanese shopping mall location, and everyone looked like small model figurines that you would see in a miniature display of a building that you would show to investors. While there is no dialogue, the fact that it perfectly paces itself with the physical comedy and a very simple slice-of-life story is what made this a highly watchable short. It reminds me how creative certain people can be when working with certain limitations, and I want to see more animated films try and be like this short or Hangman.

Dear Basketball

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I’ll admit, when I was writing my editorial about the Oscar-animated shorts, I was fairly harsh on this short. I know there is a lot of talk about Kobe’s past allegations, and while I still enjoyed LOU and Revolting Rhymes more, Glen Keane and Kobe Bryant’s Dear Basketball was a fantastic short. I still adore the fanciful pencil sketch style that flowed well with the elegant John Williams score. It’s not just a short about basketball, it’s about a man who gave his life, body, and soul to the love and passion he had for his sport. It’s an emotionally touching short, and I can’t wait to see what Glen Keane does next with his upcoming feature film.

Island

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This German short by director Max Mortl and Robert Lobel had a very cute stop-motion look to the rhythm of nature. It has no dialogue in it, and only has the sounds of the wildlife that end up making a catchy tune. Its designs might be simple, but they get the job done, and make for some pretty humorous animal designs. It was one of the shorter shorts on this list, but it was the right amount.

Unsatisfying

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Unsatisfying was probably the shortest of the shorts on this list of favorites, but it seems like it was intentionally short. This humorous 3D/CGI short was showed the most unsatisfying moments in life. They are simply small moments that kept building up as to how unsatisfying certain moments in life are. I think anyone who watches this short can relate to something, like a soda getting stuck in a vending machine, missing the bullseye playing darts, and you get the idea. It’s bittersweet, but all around hilarious.

 My Burden

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My Burden is a stop-motion film by Niki Lindroth Von Bahr about the night lives of night shift employees, all of which are animals, at a customer support service, a hotel, a grocery store, and a fast-food joint. While the tone has music and individuals dancing, it also shows darker themes that the director described of boredom, being alone, and existential anxiety. While I have never really worked night shifts, I can understand on an emotional level how that feels. The stop-motion animation was charming, and there was a subtle sense of humor with certain moments, like an anchovy at the hotel saying he’s alone, because he has bad skin. It might be a weird short about animals with night-shift jobs, but that weird feel is what makes this a favorite short.

Our Wonderful Nature: The Common Chameleon

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Listen, I love nature documentaries, and whenever I see one on TV, I do watch it. However, I loved this wonderful CGI short parodying a segment of a nature show. Directed by Tomer Eshed, this German-animated short was misleading, in a good way. At first, you see the fairly realistic-looking CGI chameleon, but then you see the animation side of things slowly ooze out with how the chameleon smiles after eating a small fly, and then watch as his constant hunger gets the best of him. It’s another short that has no real dialogue besides the faux nature documentary narrator, and relies on physical comedy. It’s short, but very effective. It was probably the one short that got some of the biggest laughs in my theater.

Everything

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Now, I do have some issues with this one being considered an animated short. It’s a really good short, but should it count as an animated short when it’s a video game? It’s basically some slightly altered gameplay footage. However, I can’t deny that this was a very effective short. The voice-over narration done by late British philosopher Alan Watts really makes you have an existential moment about life. He unloads about how everything is connected, from the smallest atom, to the biggest living creature. Everyone has a role to play, and we constantly rely on one another to live. The visuals are simple, but they get the job done. Plus, the simple visuals get really surreal when you see a bunch of items flying around in space. While I can debate if this actually counts as an animated short, it’s still a short worth checking out!

Animated Tidbits 5: Oscar Shorts 2017

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

With the Oscars coming soon, I decided to do one last little editorial, talking about a section of the Oscars I honestly haven’t thought about covering, animated shorts. Not that I don’t watch them, because I do. I simply feel like they need a different mindset to tackle. However, I have had the opportunity to see all the nominated shorts in theaters. They were distributed by Shorts HD and Magnolia Pictures, and it made making this editorial very easy. I’m going to go through the five nominated shorts, and the three additional shorts that were going to could have been chosen, but didn’t make it. They are going to be quick little paragraph reviews. I will also be going in the order they were presented. Let’s get started.

Dear Basketball

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Narrated/produced by Kobe Bryant, and directed by Glen Keane, this is essentially an animated version of Kobe Bryant’s retirement letter, done in a pencil sketch style similar to the classic Christmas short, The Snowman. I was concerned about this one, since something about it always felt off. The letter itself and how it is narrated by Kobe himself is touching, and the pencil sketch style is really impressive, and it’s a solid short about dreams and passion. However, I find myself feeling cynical about it. It’s touching, but forgettable. I also found it to be a bit too manipulative for the emotional side of things. Not to say it’s a horrible short, because it’s not. Like I said, the speech itself is well-worded, John William’s score is great, as usual, and the animation stands out. I just didn’t like it as much as others. I also feel like the current movements in Hollywood will hold this short back, and might alienate non-fans of basketball. It’s a good short, but I personally won’t be rooting for it.

Negative Space

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Directed by Ru Kuwahata and Max Porter, Negative Space is about the bond the lead in the short had with his father over the fine art of packing clothes into suitcases. The stop-motion style has its charm with the doll-like character designs. It’s a cute little short about the ins and outs of making sure there is no negative space within the suitcase. It ends a bit abruptly for me, and maybe could have been a bit longer, but the short is well-made, and I understand why it’s being nominated for an Oscar.

LOU

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It wouldn’t be the Oscars if Pixar didn’t have a short to contribute to the competition. Directed by Dave Mullins and produced by Dana Murray, LOU is about a Lost and Found Box that loves giving everyone the possessions they lost. When I went to the theater to see the shorts, this was one of the two that got the biggest reactions from the audience, in terms of enjoyment. Lou himself is a very creative character. Being made of all the apparel and items resulted in some very creative visuals. Seeing Lou shapeshift through different forms made by all the toys and clothes was the highlight of the short. The only problem I have with the film is that, while it is probably one of my favorites among the five nominated, it’s fairly Pixar. It has a lot of the typical story beats that you would see in most Pixar films. It’s not a super terrible thing, but you know what’s going to happen. Still, LOU is a fantastic short, and should have been in front of Coco instead of Olaf’s Frozen Adventure.

Revolting Rhymes

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This first part of a two-part special based on the Roald Dahl book of fairy tales was easily the crowd favorite from my viewings, and is the short I am rooting for to win. I want to do a full review of part one and two, but I definitely want to do a small summary here. The first part is creative, the art style made the CGI look like stop-motion. While it might have dumbed down the darker tones of the book, it still has a lot of really dark jokes that made me, my friends, and the audience members in the theater laugh out loud. It’s a charming first part of the special, and I found how they handled the mixing of fairy tales creative.

Garden Party

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Directed by Illogic Collective, a group of six 3D artists, Garden Party is a simple story about a bunch of frogs that explore a deserted house. The best thing about this short is the animation and characterization of the frogs. The almost photo-realistic look of the short is incredibly impressive. Sure, you can kind of tell it’s CGI, but some areas look fairly realistic. I liked that they gave the frogs little quirks, and found it cute as they explore the house and interact with one another. Now, while it is subtly told through environmental storytelling, I didn’t like the ending. I won’t say what it is, but it felt too dark for a short about some frogs exploring a house. It also has the moment when you can tell it’s CGI, since what is in the pool looks more cartoonish than realistic. I know some are saying this is going to win, but I think the ending is going to turn some people off. Even with my complaints, I still love the short.

We now will move on to the three shorts that were “Highly Commended”

Lost Property Office

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Directed and written by Daniel Agdad, Lost Property Office is about an older gentleman who works at what is essentially a lost and found office. The drab color tones, and sly bits of humor is definitely why this one was close to being nominated. The stop-motion work was also well done. I think for me, this was one of the weaker shorts. The entire plot of the short is done with no dialogue, and I’m sure there is a deeper meaning to this short, but I have seen it twice now, and I don’t fully get it. It’s a pretty-looking short, but its story rang hollow. Maybe it’s more of a “not my cup of tea” situation, and the overall story is symbolic of the man and his job, but I didn’t quite get the appeal of this one. It felt more like it was chosen for its artistry than its story.

Weeds

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Directed by Kevin Hudson, this short is about a dandelion flower that yearns for a better life on a lively field of grass. While the CGI is good, the message is what I liked about the film, and how it’s about the many people that go through challenges every day to make and find a better life. The CGI is good, but I didn’t find anything super remarkable about it. However, I felt like the story was more important. It was simple and to the point. I definitely liked this one.

Achoo

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Finally, our last short is Achoo, a French-animated short about a Chinese dragon who wants to win a contest to be cherished by the humans. While this one is definitely the most cartoonish with the humor and designs, the CGI and textures are incredible. I have been vocal about how European CGI films have had issues with their lack of quality-looking CGI, and while this is a short, it looks great. The lighting looks impressive, the textures look marvelous with lots of little details, and the designs are cute. It has a few jokes that I didn’t care for, but for a harmless short, I enjoyed it. If I had to choose which one of the three I liked the most, it would probably be Achoo for visuals and WEEDS for story.

Thanks for reading! What short did you like the most? I’ll see you all next time!

My Two Cents On The Submissions For Best Animated Feature at the 90th Academy Awards.

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

The recent line-up of animated feature films for the Oscars next year have popped up, and for the first time, I decided to break down the chances each of the contenders have to make it into the five spots. Overall, the line-up is pretty strong! I know that sounds weird, since the mainstream big budget films from the bigger studios have not been all that great, but if you look at the indie film offerings, you have quite possibly, the best line-up of smaller animated films of this decade so far. It’s probably just as good as 2013 with the wide variety of indie animation. Now then, I’m going to break it down into different categories with films that have spots already filled, films that have amazing chances, films that might have a chance, and films that have no chance. Little side note, I find it hilarious that none of the Weinstein-animated films like Guardian Brothers and Leap! are not on the list. Thankfully, that is great, because screw Harvey Weinstein and his horrible take on animated films. Now then, let’s get started!

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100% Certified Spots

Coco*: While it just came out, the amazing amount of hype this film has gotten and the early positive previews, this is probably the only Pixar film that has a chance at making it into one of the five sacred slots for Best Animated Feature. Plus, it just looks like a great movie. Way more than most of the films released this year from bigger companies.

  • Despite the recent controversy of now ex-head of Pixar John Lasseter’s leave because of allegations, I don’t think it would be fair for everyone else who made Coco suffer because of his actions.

Loving Vincent: While not getting as wide of a release as Coco or other big animated films, Loving Vincent has been a critical darling and a constantly talked about movie since making its runs in festivals. Plus, winning one of the three major prizes at Annecy Film Festival sounds good as well. It’s just a unique film that has caught the film world by storm.

The Breadwinner: We have a movie being made by a veteran of the Best Animated Features section, Cartoon Saloon, which had The Secret of Kells and Song of the Sea nominated, the distributor GKids, and so much universal acclaim from reviewers and people who have seen it combined, it would be a shock if this didn’t make it onto the shortlist. Plus, it got a lot of attention during the Animation is Film Festival, and won the main prize there.

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75% Possible Contenders

In This Corner of the World: Lots of festival buzz and highly positive reviews. It probably has the best chance out of Japanese animated films, besides Mary and the Witch’s Flower. Plus, what Academy voter doesn’t love a war time-era film?

The Big Bad Fox & Other Tales: It’s being directed by one of the directors of the Oscar-nominated Ernest & Celestine. Plus, it’s under the GKids banner, and they have had two or so films in the running before for Best Animated Feature. Though I am concerned with how it doesn’t have an official release date yet for 2018, I would hate for it to be viewable after the awards.

The Girl Without Hands: Another festival favorite, and an almost entirely a one-man job. That alone is very noteworthy. Plus, high reviews and again, GKids. The beautiful and stylized animation doesn’t hurt either.

Mary and the Witch’s Flower: Let’s check off the boxes. GKids? Check! Made by ex-Studio Ghibli individuals? Check! Director of Oscar-nominated When Marnie Was There? Check! I think that covers it. Though I’m concerned that the release is just a month away from the awards, but we shall see.

Birdboy: The Forgotten Children: Another well-received animated film being distributed by GKids, and won a couple of awards including the GOYA award for Best Animated Feature, and has gotten mileage for being an animated film with a twisted edge to it and dark themes under the cute designs.

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50% Maybe?

Ethel & Ernest: As much as I love this movie when I watched it, with no real release date, I don’t know if its legacy as Raymond Brigg’s work will make it noteworthy enough to make it into the sacred five slots. I love this movie, but man, they should do something to compete.

A Silent Voice: I loved this movie, and I think it has more of a chance than Your Name did last year, because it was released in theaters in the states months before the award show, but that might not be enough, since most people, unless they are film or animation fans, know a lot about this movie. The biggest amount of coverage it got was when it beat out Your Name as Best Animated Film of 2016 from the Japan Movie Critics Award. I just hope the distributor in charge of the theater distribution for this film makes a big enough push for more people to see it.

Cinderella the Cat: To be perfectly honest, this was a surprise to see on the list. I have been following this film for a while, and all I know about it is the positive reception it has alongside that one review from Variety.com. However, since there has been no news on a US distributor, I don’t know how much its positive foreign reception will win people over.

Window Horses The Poetic Persian Epiphany of Rosie Ming: This is a cute and utterly charming movie about a girl trying to find peace for herself, while finding her father. I don’t hear too many people talking about this one, but it has enough festival buzz for a chance to make it, but it’s an uphill battle to get past some of the other indie/foreign films.

The LEGO Batman Movie: While I do love this movie, and think it came out at the right time, due to people still grieving about what happened three months earlier in 2016, the original didn’t get nominated (still sort of annoyed by that), so what chance does this one have? Plus, while I do love it, it’s not as good as The LEGO Movie. It doesn’t have the full heart and soul the previous film had. It’s a great and hugely entertaining watch, but I don’t know if they will give it a pity vote.

Napping Princess: Personally, this is one of my favorite movies to watch in 2017. However, it’s probably the GKids film, along with another on the list, to get the least amount of talk or push. It’s a fun adventure movie with some great characters and sequences, and some festival buzz, but it’s critically one of the less loved films of the 2017-distributed GKids films. Not going to stop me from enjoying it, but I can see it having more of a struggle than the others that I listed above.

Captain Underpants: This was one of the biggest surprises of the year, and while I am confident in putting it in the 50% range, it would sound odd, wouldn’t it? Oscar-nominated Captain Underpants. I don’t know how they will take this one seriously enough to consider it.

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25% Very Slim Chances

The LEGO Ninjago Movie: While it was still much better than most of the films on this list, it was also the least liked of the three films, and underperformed. It wasn’t a bomb, but it did not rake in as much cash as they were expecting. Plus, it’s the only one that you can consider to be more of a cash grab than the others. It also has the weakest story and writing out of the three LEGO Movies.

The Boss Baby: This film is mostly noteworthy for coming out around the same time as Alec Baldwin’s Donald Trump skits became the funniest bits of comedy for a while, so that probably helped push this movie’s financial success, but outside of that, the film itself was not well received, and in general is not regarded as one of the best animated films of the year. I know some have put it high on their list, but that’s only because they haven’t seen many movies.

Cars 3: Unlike The Boss Baby or the next entry, Cars 3 doesn’t have that much to say “yeah, this movie deserves an Oscar!” it’s more emotionally investing than the second film, but it still has a slew of problems in terms of its story and the ending. Plus, it underperformed because nobody wanted another flipping Cars movie! It’s not a horrible film, but I doubt it will have a chance.

Despicable Me 3: While a financial hit all over the world, Despicable Me 3 has too much going against it. For one, the story is not great, the characters are now barely there, and any advantages they had with improving or pushing the story forward, they don’t take, and just keep staying in that safe circle because it worked for them in the past. Sure, they got one nomination with Despicable Me 2, but that was a pity nomination in a rather underwhelming year. If SING and The Secret Life of Pets couldn’t get a nomination, then Despicable Me 3 won’t either.

Ferdinand: Listen, I don’t like picking on Blue Sky Studios, because I think they are a super talented group of people. However, they are having the same problems as Illumination Entertainment has. It’s why I put Ferdinand low on the list. Granted, the movie looks better than a lot of their offerings, but I just can’t find myself trusting that it’s going to be a great movie. Plus, Blue Sky doesn’t have much notoriety in the Oscar races.

My Entire High School Sinking into the Sea: I love this movie. It’s still my favorite animated comedy of 2017 so far, but looking at it now compared to the other contenders, I don’t see it getting nominated. It would be awesome, and GKids is behind it, but it’s too indie for its own good, and I think GKids has had better animated offerings now than back then.

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0% No Chance in Hades

The Emoji Movie: Come on, I might not think it’s the worst animated film of the year (that goes to The Guardian Brothers), but it’s still really terrible, and it has no chance in Hades in making it. Even when Sony sort of knows it doesn’t have a chance, then that is saying something.

Sword Arts Online: The Movie – Ordinal Scale: Yeah, sorry, but nope. It’s a film based on a pre-existing anime, and those never get nominated. It didn’t happen then, and it won’t happen now.

Moomins and the Winter Wonderland: I have a fondness for The Moomins, and I do love the cast they are building it up for, but I highly doubt it will have enough people knowing the source material to care. I love weird and unique foreign stuff, but this will not have one of those sacred spots.

The Star: I do not think the organization is going to let this one get a chance. It looks cheap, the advertising is  not giving the film justice, and I just don’t see it making it. I love the cast, and I wish they were in a better movie, but I’m sorry, The Star is going to have to shine somewhere else.

There you have it, my guess as to what films have the most to the least amount of chances to get those five spots for Best Animated Feature at the Oscars. As of right now, I am fairly confident that I am going to be correct with these placements, and hey, if any of the films that haven’t come out yet turn out to be good, then I am all for pushing them up the ranks. Do you all have any guesses? What five films would you love to get chosen for the Oscars?

 

Animation Tidbits #4 What's Cam Looking Forward To 10/19/17: Animation is Film Festival Edition

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome to another What’s Cam Looking Forward To on Animation Tidbits. I guess you can call this version the “Animation is Film Festival Edition”, because a lot of the films on this list will be at the LA-based Animation is Film Festival. So many of these animated films are making their US release at this festival. It’s a shame it wasn’t happening closer to me, since I live all the way in Texas, but I think anyone who wants to see some truly, in the sense of the word, “unique” animated films, they should go to this event. Now, some of these films I have talked about before, like The Breadwinner, Birdboy: The Forgotten Children, Zombillenium, and The Big Bad Fox and Other Tales. However, the mass majority of these will be new to the Animation Tidbit label. Let’s jump in!

Fireworks

[youtube https://www.youtube.com/watch?v=KG770hOuT2k?rel=0&w=560&h=315]

While I am still bitter about Your Name’s success opening the floodgates for a slew of teen dramas/romances to overcrowd the market, I’m always willing to put that aside to judge the film on its own merits. Fireworks is helmed by the producer of Your Name, Genki Kawamura. It’s a tale of two junior high school boys, who fawn over the same girl who is going to be leaving their country-side town. One day, one of the boys finds a magical sphere that can control time, and uses it to try and get together with the girl, who by the time he finds this sphere, has fallen for the other guy. In the film, the boy will use the sphere he found to turn back the clock to fix a mistake, but may end up causing more consequences to doing such a thing than he would like. It reminds me of The Girl Who Leapt Through Time, which used the same plot idea. If handled well, it would lead to some touching scenes. The animation, while having fairly generic anime character designs, looks great, and I’m always down for a teen drama/romance to be taken or tackled in different ways. I wonder how good it will be compared to the mega hit Your Name, or the other massive hit, A Silent Voice. Granted, I am getting tired of Japan’s fixation on teen dramas and romances, but if the film can tell a compelling story and bring some creativity to the table, then I’m down to check it out. This will be playing the same day as The Breadwinner on Friday, the first day of the event.

MUTAFUKAZ

[youtube https://www.youtube.com/watch?v=BHG8WON_MEQ?rel=0&w=560&h=315]

I love to consider this the French/Japanese-animated lovechild of a classic Robert Rodriguez action movie. MUTAFUKAZ is, like I mentioned, a French/Japanese collaboration combining Studio 4 ° C, director Shojiro Nishimi and Guillaume Renard, the creator of the comic on which the film is based.  It revolves around a young boy named Angelino, who lives with his skeleton friend Vinny in a dirty disgusting city known as Dark Meat City. After getting into an accident, Angelino starts to experience unknown powers, and boy, everything just hits the fan afterwards. Everything is thrown into this film, like a stew made of everything inside your fridge. You have gang fights, frantic car chases, Akira-style physic powers, trippy visuals, Jin-Roh-style soldiers, and utter chaos. It all blends together in this over-the-top action film that looks fantastic. I think for such a crazy idea, it was a good idea to get Studio 4 ° C because they are good at getting frenetic and fast-paced action done well. I’m concerned it’s going to be flash over substance, but it’s still one of the animated films I’m looking forward to seeing the most, due to the fact we rarely get action-focused animated features anymore.

Big Fish & Begonia

[youtube https://www.youtube.com/watch?v=2w1n1FX3eUA?rel=0&w=560&h=315]

I have not been subtle about talking about the lackluster animation scene China has going on. It’s either bad anime-style clones, or really bad CGI with no thought about being creative with a small budget. This is why Big Fish & Begonia is poised to be the turning point for better animated features from that country. For a film that took a decade to make, the animation is gorgeous, and a lot of it makes the film look like this Chinese version of Spirited Away, which is fine by me. I have read early reviews of the film, which spoke highly of its philosophical elements, and it will have an English dub at the event, which means that Shout! Factory is probably getting ready for a more wide release and announcement for the film. If you want to see what could help turn China’s animation scene down a much more optimistic route, then you should definitely go check this film out.

Lu Over the Wall

[youtube https://www.youtube.com/watch?v=W5W9eHDxBDc?rel=0&w=560&h=315]

Now, we have one of the big boys playing at the plate. Masaaki Yuasa, the director behind Mindgame, has two films out this year and at this event. Lu Over the Wall is the first film being shown, and is another take on the Little Mermaid story in the same way Hayao Miyazaki did with Ponyo. That means you will get offbeat characters, trippy animation, and a more light-hearted tone. It’s definitely what I got from the trailers and, from a few clips that are on YouTube, the charm really comes through the animation. It looks fantastic, and I hope GKids can bring this film over along with Masaaki’s other film that will be talked about later in this editorial.

Tehran Taboo

[youtube https://www.youtube.com/watch?v=SxF7-OgLswI?rel=0&w=560&h=315]

Now, this is a nice little surprise. Tehran Taboo is a German-Austrian collaboration about three different women and a musician trying to survive in a harsh and punishing city known as Tehran, where sex and drugs run amok under heavy religious and patriarchal ruling. It looks like an emotional and human experience, as we see these characters survive in such a restrictive life. I know some will argue about its animation, since it’s not technically 2D animation, but some form of rotoscope animation, but those purists can go bugger off. You are still tracing over living individuals frame by frame. Animation is much more vibrant and expansive these days, and this is a good example to show that. If you want something mature and adult during this festival, then it’s probably a good idea to step into the dramatic world of Tehran Taboo.

Mary and the Witch’s Flower

[youtube https://www.youtube.com/watch?v=9P883TzxWuQ?rel=0&w=560&h=315]

It’s not a surprise that one of the two major viewings that are sold out is the spiritual successor to Studio Ghibli, Studio Ponoc’s Mary and the Witch’s Flower. First off, the animation looks fantastic. It has a style very similar to Studio Ghibli, and while I have heard people say that this is distracting, I don’t find that a problem. Studio Ghibli isn’t doing anything besides Hayao Miyazaki’s newest film, and if it’s a distracting thing to have fluid and very expressive Japanese animation, then I think that’s a pretty good situation to have. Even Hayao Miyazaki and Isao Takahata have shown their approval of the film. It looks like a great one, and it has directors I trust behind it. It’s one of the most anticipated animated films of the year, and probably one of the sure Oscar nominees.

Night is Short, Walk on Girl

[youtube https://www.youtube.com/watch?v=tmeU9GFJW3I?rel=0&w=560&h=315]

Finally, we have Masaaki Yuasa’s second film, Night is Short, Walk on Girl. Technically, it is a follow-up to a series he worked on called The Tatami Galaxy. The surreal romantic comedy of a girl and the guy who has a crush on her looks trippy, unreal, and hilarious. This is what I love about Yuasa’s work. Fantastic and vibrant visuals, interesting characters, and what might look random, has an underlying tone of something much more. I am concerned that I can watch this without having seen the TV series, which I just started, but the quality of the film will depend on if it stands strong on its own or not. Still, I hope GKids brings this and Lu Over the Wall over to the states.

Animation Tidbits #3: What's Cam Looking Forward To? 5/22/17

 
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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this quick editorial!)

So, I know it’s soon to do another editorial like this, but I found a slew of animated films to be on the lookout for, and since the Annecy Film Festival is right around the corner, I decided to do another list of films I’m looking forward to. Now then, let’s take a look at some of the films that will be competing at the festival first.

 In This Corner of the World

[youtube https://www.youtube.com/watch?v=gaRqwKfMlKU&w=560&h=315]

First up is the Japanese animated film by director Sunao Katabuchi, In This Corner of the World. This character-focused film that is about a young woman named Suzu during World War Two is a beautiful and emotionally-driven experience. While the story is said to be a fictional tale that takes place during that period in time, it is apparently based on real life events of said historical period. I love the soft watercolor look to everything, and that should be no surprise due to the director having previous award-winning films under his belt like Princess Arete and Mai Mai Miracle. I can’t wait for Shout! Factory to release this in the states with Funimation helping out because I will definitely be going to see this film when and if it comes to Austin.

Zombillenium

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Like with Icarus from the previous list, Zombillenium has probably one of my favorite settings for an animated film. It’s a French animated film about a theme park where all the ghosts, ghouls, monsters, skeletons, and mummies are, in fact, real monsters. One day, a human named Hector, a safety regulations officer, is threatening to shut down the park. That is, until the vampire manager of the park decides to bite him and bring him on board as an employee. First off, the art style has this great comic book/cartoony style that is very eye-catching. Then again, this is based on the comic book series by one of the directors of this film. I feel like this setting could lead to some very interesting social commentary, with how the monsters work and live at the park, and how some of the monsters could symbolize labor laws and so on. I also get a vibe from something like a good HBO/FX drama, where it’s about the life and the days of the characters in their environment. Unfortunately, I don’t have a traditional trailer for this film, but instead, a music video. It’s done by Arthur DE PINS, one of the directors and the creator of the comic. I bet you that this was a huge excuse for not only a fun music video, but a tech demo to get funding for the film. It’s for a song called Nameless World by a French Rock Band called Skip the Use. This is also one of the films competing for the grand prize at the Annecy Film Festival, and it’s the only animated film competing at the Cannes Film Festival. I hope it turns out to be a fantastic flick.

UDATE: Here is a teaser for Zombillenium!

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Bird Boy: The Forgotten Children

[youtube https://www.youtube.com/watch?v=konXGh5f3F0&w=560&h=315]

Well, GKids just got the rights to bring this film over in the fall, so I might as well talk about it next. Plus, I can’t pass up a GKids distributed film. This dark yet cartoony animated film from Spain is directed by Alberto Vazquez and Pedtro Rivero. If you are into the foreign animation scene, then you know about Alberto Vazquez, who is releasing a new movie called Unicorn Wars. And yes, that is a real movie. This guy is known for combining great animation, with cute designs and strikingly dark visuals. I can see it catching some people off-guard, but I think challenging what defines animation in terms of visuals is breathtaking. It might not be the first animated film to have super dark visuals and a story to boot, but it’s something I like to see going on from time to time with animation. I can’t wait to see who they get for the main cast, and I hope they can bring over his new film in the future.

The Swallows of Kabul

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This one caught me by surprise. This French-animated film, based off the book of the same name, is being directed by two female directors. One of them is an actress-turned-director by the name of Zabou Breitman and designer/animator Eléa Gobbé-Mevellec. It’s also being produced by Les Armateurs, who worked on The Secret of Kells, The Triplets of Belleville, and Ernest & Celestine. Its watercolor art direction brings out some very beautiful visuals, and the character designs are fantastic. Then again, when one of the directors worked on The Prophet, The Rabbi’s Cat, and April and the Extraordinary World, it should be no surprise that it looks great in motion. Even though I know the story will be a bit more mature than your typical animated film, I don’t find the designs or the animation to be distracting. The teaser also does a good job at getting me intrigued about the story, as I’m curious to know what happened after the guard Atiq watched as his eyes were set on a beautiful woman who is the newest prisoner in a female prison. This is another good example why European animation can be so wonderful. Hopefully, in the future, we can hear more about the film.

The Breadwinner

[youtube https://www.youtube.com/watch?v=0KnJ5Zu1qEk&w=560&h=315]

While Wolfwalkers is in the early stages of development and funding, we can look forward to Cartoon Saloon’s upcoming film, The Breadwinner. This beautifully animated film from the studio that made Song of the Sea and The Secret of Kells is based off the book of the same name. It’s also being partly produced by Angelina Jolie. I’m a tad concerned about that part, since I have found her recent projects to be pretentious and lackluster, but just by the teaser trailer alone, the film looks impressive. I also enjoy the fact that they went full frontal with the casting, since they hired multiple actors of Afghan descent to be the major characters. It’s a wonderful-looking movie, and I can’t wait to watch it later this year.

Loving Vincent

[youtube https://www.youtube.com/watch?v=shLSWO659vs&w=560&h=315]

This is probably the most visually striking of the films listed in this editorial. How many animated films can you think of that are painstakingly painted by very specific animators and artists that recreate and pay tribute to one of history’s greatest artists? I love the idea of someone going around asking about the legacy and impressions the artist left on people that he met. It’s such an impressive feat to watch what was going to be a short film directed by director Dorota Kobiela, and has now become this hugely passionate animated film celebrating the beauty and history of art from the infamous painter, Vincent Van Gogh. After it hopefully does well in the Annecy Film Festival, I will patiently wait for theater showings in my neck of the woods.

The LEGO Ninjago Movie

[youtube https://www.youtube.com/watch?v=sZSYYiATFTI&w=560&h=315]

While this entire list has been mostly following smaller and foreign releases, it doesn’t mean I’m not looking out for the bigger releases. While we have gotten this trailer a few months back, I wasn’t really thinking about it until recently, as I was thinking back to The LEGO Batman Movie. It’s honestly going to be interesting to see how people react to another LEGO movie in one year. One kudos that I will give this film instantly is that no one has to watch the TV show with the same title to watch this movie, since neither the film nor the show are connected in any way. It also helps that personally, The LEGO Ninjago Movie gave off a strong first impression with good laughs, good animation, and solid voice work. It also helps that the film has a director that has worked in different positions on action-focused cartoons before, like The Powerpuff Girls Movie, Batman: The Animated Series, Tron: Uprising, Samurai Jack, and a lot of Cartoon Networks’ biggest and most popular cartoons. Now, I am concerned with how much emotional substance will be in this film, and how it’s going to have a slew of characters to introduce in one go, but I think Warner Animation Group has been pretty spectacular these past few years. Hopefully, The LEGO Ninjago Movie can be another feather in their cap.

Well, that’s it for this list. I probably won’t have enough to talk about for another one for a while, and I plan on doing an editorial on Blue Sky’s Ferdinand instead of adding it to a list, since I’m excited for it, but not fully on board with it due to the studio. Thanks for reading, and I hope you all get excited for these films as well!

Worst to Best Animated Films of 2016 Finale

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Welcome back to the final part of the Worst to Best Animated Films of 2016. If you have not seen the previous part of the list, here is a link. These are the final ten films that I love, and would watch many times over. I consider them new classics that everyone should check out and support. Honestly, I would just tell you to buy them all, but that’s just me. Let’s get started

10. April and the Extraordinary World

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I know everyone is in a bit of a bum mood, since the future of Studio Ghibli is up in the air as Hayao Miyazaki works on his supposedly “last” film, so instead, I want to turn your attention to what some have considered a French Ghibli alternative. April and the Extraordinary World is a fun Castle in the Sky-style action adventure film set in a world where science never got past the steam age. It’s filled with high-flying action, sci-fi technology, and it’s just a fun adventure with fun characters. I still think some of the chemistry between characters could have been better, but I really loved watching this film. If you need your Castle in the Sky fix and to see how to do Sky Captain and the World of Tomorrow better, then definitely watch this movie.

9. Long Way North

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Let’s call this the polar opposite of a Disney princess film. This French film about a Russian princess wanting to redeem her grandfather’s legacy is simple, yet complex. It’s easy to get into and well executed. The film can be very quiet and atmospheric with a honestly dark edge to the adventure she goes on to find her Grandfather’s ship. Granted, some of the voice work isn’t the best, but the film is gorgeously animated, and it has a great cast of characters with a story that shows the darker side of events like this. I was a tad disappointed that this film wasn’t seen by more people, since I truly think it’s a fantastic film. It’s easily the best film Shout! Factory has distributed, and I highly recommend you support this film by buying a copy.

8. The Boy and the Beast

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Man, I don’t know why people aren’t more willing to say Mamoru Hosoda is the new “Miyazaki”, because films like The Boy and the Beast are why he’s one of my new favorite directors. This tale with themes of father and son relationships, different family situations, and parents being up-front with your children is masterfully fused with the beautiful animation, great action, and likable characters. I think the pacing could have been better in the third act, but that shouldn’t detract from how amazing this movie is. I can’t wait to see what Hosoda does in the future.

7. Only Yesterday

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Yes, it’s technically a 2016 release since we never got it when Disney was bringing over all of the Ghibli films. Luckily, GKids decided to be awesome and help us out with bringing over probably one of my favorite Ghibli films to date. I love the more mature tone, the characters, the setting, and the voice cast. I adored Daisy Ridley as the lead, and I found her character to be rather complex and interesting. I’m sure everyone in their life has wondered if they feel like they got what they wanted out of their life. Sure, it can be a tad slow, and I can totally understand if someone finds this film boring, but I found it unabashedly fascinating. Easily one of my top five favorite films from the studio, and I think Isao Takahata’s best movie from the ones that I have seen from him.

6. The Little Prince

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Talk about a victim of circumstance. This amazing and mature CGI/stop-motion film from France with the director of the original Kung Fu Panda got screwed out of being in theaters, and whether it’s true that Paramount wanted the studio to pony up more cash for distribution and advertising or not, The Little Prince deserves more attention than it got. Yeah I get the complaint about the third act and such, but in the end, I loved my overall journey with this film from beginning to end.

 5. Moana

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In some regards, Moana had a disadvantage coming out right after the huge hit that was Zootopia, and being another Disney princess film right after the monster that was Frozen. Luckily, Moana I think does better in terms of an overall experience, while being progressive for a Disney princess film. Moana is a fantastic lead, Maui is a blast, the villains are hugely memorable, and the overall story is well-told. Sadly, it does take that dip in quality in the third act, and brings up very outdated Disney story elements, but I would call it safe than lazy, like some reviewers would argue. In the end though, Moana is a super fun adventure film, and is easily one of Disney’s best offerings in a year where they were doing pretty well.

4. My Life as a Zucchini

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Probably the most real and “human” animated film from last year. This Golden Globe/Oscar-nominated stop-motion film about a kid living in an orphanage is well animated, emotionally touching, charming, and it does feel human. Even with the English dub, the actors still bring in that calm and quiet spirit. The child actors were, once again, a situation where they would make or break the film, and well, they pulled it off. Granted, I wish the film was longer than 70 minutes, since I really enjoyed being with these characters and I liked the lead’s relationship with the police officer. It’s just an amazing film, and I would highly recommend checking out this award winner.

3. Zootopia

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While Moana is a fantastic film that I could watch over and over, Zootopia is the better movie. While it might not be super subtle with its themes, its clever writing, world building, hugely likable characters, great designs, and a fun sense of humor lifts itself up from such a problem. It was also a bigger risk, since it was Disney’s first animated film in a long time to use bipedal animals. If there was one film to take home the most awards for Best Animated Feature, I’m glad it was Zootopia. Sure, I wish Kubo and the Two Strings took the award, but hey, at the very least, I agree with Disney winning Best Animated Feature this time.

2. Miss Hokusai

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If there was a film that I wish could have gotten more acclaim and nominations, it would be Miss Hokusai. This down-to-earth, character-based film just won me over in an instant. I loved the daughter interacting with everyone and dealing with different situations in life, I loved the different art styles used for different parts of the story, I love the voice cast, I love Richard Epcar as Hokusai, I just loved this movie. Yes, there were some characters who you obviously knew were there for a very specific reason, but I don’t care. I love films like this since it shows animated films can be more than just wacky comedies, and that more adult animated films can be more than stoner comedies. It’s easily one of my top five favorite films GKids brought over, and I would recommend following the director and seeing what he does next.

1. Kubo and the Two Strings

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It should be no surprise that the film that had probably the biggest fighting chance of dethroning Zootopia at the Oscars is my favorite animated film from 2016. Kubo and the Two Strings surprised me in how much I loved it. I was not surprised by Finding Dory being great, I was not surprised by Kung Fu Panda 3 for being great, I was not surprised Moana was great, and you get the idea. I was surprised at how well-animated it was. The voice acting was amazing, the music was fantastic, the visuals were awe-inspiring, and the themes and tone of the film made it a darker family film. I love how it’s about life, and how you can’t live in life without hardships. The action was fantastic and well-choreographed.  I’m so upset this didn’t do better, and even if there is nothing wrong with Zootopia winning the Best Animated Feature at the Oscars, Kubo and the Two Strings deserved it more, and rightfully deserves the spot as my favorite animated film of 2016.

Well, that was 2016, a fantastic year for animation, and I know 2017 hasn’t been that great so far, but keep your hopes up and go see the smaller releases. Thanks for checking out this long list and I’ll make sure to get these out sooner rather than later next time.

Animation Tidbits #2: What's Cam Looking Forward To? 5/5/17

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, in my personal life, I love to make emails about a bunch of upcoming films for my family, who may or may not know much about what’s coming out. I recently did an email with all the upcoming animated films that are being released here in the states or somewhere around the world where I hope they get a stateside release. I decided to make a series of Animation Tidbits, where I show off some trailers or clips of upcoming animated films that have caught my eye. Now, some of these are already well known, but I’m sure many people have not heard of many of the films listed in this editorial. Let’s get started.

Early Man 

[youtube https://www.youtube.com/watch?v=wLTDY9yZDRM&w=560&h=315]

Up first is the trailer for Nick Park’s newest stop-motion feature, Early Man. I mean, I love Aardman Entertainment and all of their films. I don’t see why I shouldn’t be up for this one. While I don’t usually get super-hyped for big-named cast members in general anymore, I think Early Man has an incredible cast, including Tom Hiddleston (Marvel films, The Night Manager), Eddie Redmayne (The Danish Girl, Fantastic Beasts and Where to Find Them), Timothy Spall (The Last Samurai, Enchanted, and Sweeney Todd), and Maisie Williams (Game of Thrones). Unfortunately, I have to wait until 2018 for this promising flick.

Coco

[youtube https://www.youtube.com/watch?v=zNCz4mQzfEI&w=560&h=315]

While Cars 3 doesn’t technically look terrible, and it does seem like Pixar wants to make a good movie from this flawed and merchandise-spewing trilogy, Pixar’s original film is what I’m looking forward to more. Yes, it’s another animated film based on Day of the Dead, and I do know the pointless turf war Coco fans and The Book of Life fans brought up with each other on Twitter with the two films’ directors, but it’s Pixar. I know their recent track record has been bumpy, but I usually feel like I can be excited and love their original content. The voice cast for this film is also pretty stellar with Benjamin Bratt, Gael Garcia Bernal, Renee Victor, and newcomer Anthony Gonzalez. Hopefully, this becomes another great original film in Pixar’s line up.

Wolfwalkers

[youtube https://www.youtube.com/watch?v=BL_RH3P6Cz0&w=560&h=315]

I’m patiently waiting (badly) to hear a release date, and for GKids to pick this film up. Wolfwalkers is the next film by two-time Oscar-nominated director Tomm Moore, who was the director of Song of the Sea, and The Secret of Kells. The animation looks beautiful, you can sense and feel the atmosphere and Irish cultural elements, and it’s a downright gorgeous 2D animated film. I do wish the movie-going world would give this director and the super talented team at Cartoon Saloon a lot of support.

Gatta Cenerentola

[youtube https://www.youtube.com/watch?v=3SApSVOLeGU&w=560&h=315]

Or as it’s known in English, Cat Cinderella. This is the first obscure film that I hope gets an English release. It’s an Italian CGI animated film, using mostly motion-capture for the animation. It’s a modern dark take on the Cinderella story, and it looks amazing. I know the movements can come off as clunky, since motion-capture can be finicky if not done correctly, but I think the tone, setting, and the idea will elevate it. Plus, it has a gorgeous art style, and I could listen to that song in the trailer all day.

The Big Bad Fox and Other Tales

[youtube https://www.youtube.com/watch?v=Y_qdx76xLXc&w=560&h=315]

If you watched the amazing Ernest & Celestine, the art style should look familiar to you, since one of the directors of the film, Benjamin Renner is behind this film. It’s based off of his comic, and while the trailer is in French, you can pretty much understand what is going on. It has good animation, a great sense of humor, and it’s just adorable. Hopefully, GKids can pick this one up.

Calamity

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One of my favorite films from last year was the French film, Long Way North. While I think it went under the radar way too much last year, the same group that made Long Way North are back with another female lead-driven film. While it might be based on the historical figure, Calamity Jane, the filmmakers are taking on the character in their own story. I know that might be a bad idea in some cases, but Long Way North was so fantastic, and these guys know what they are doing.

 Icarus

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While I love a lot of the films on this list, I think Icarus has me the most excited in terms of the setting. It’s a mixed-media animated film, using CGI and beautiful 2D animation. It makes the three Greek Gods, Zeus, Poseidon, and Aphrodite not just Gods, but Newspaper Journalist Gods as they try to weave interesting tales out of Greek Mythology for the paper. First off, the idea itself is awesome. I could see a lot of commentary about journalistic integrity, and how a lot of sites like to use clickbait-style headlines for not very interesting stories. I also love the combination of CGI and the lovely 2D animation. You just watch the trailer, and you get a lot of great visual eye candy. It also helps that there is a Pixar Veteran directing the film named Carlos Volgele. I just love the idea, and I definitely want GKids or Shout! Factory to bring it over.

Well, there you have it. These are the animated films that I am looking forward to at this point in time. I will do these from time to time when I find enough films to warrant a list like this, but do expect more of these. I might do these more so than a “Most Anticipated Films of –insert year here-“lists. Thanks for reading, and I hope you all have a good day!

Worst to Best Animated Films of 2016 Part 3

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome back, everyone, to part 3 of this very long list. As usual, if you haven’t seen part 2, here is a link to it. I’m counting down the worst-to-the-best animated films that I saw from 2016, and we shall now move onto the films that are really good, and I would start highly recommending them as not just rentals, but purchases. These are the films that you should have in your movie collection.

18. Batman: The Return of the Caped Crusaders

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I think it’s safe to say that The Return of the Caped Crusaders was the most universally loved of the films DC put out in 2016. While yes, it did go off of nostalgia of the Adam West TV series, it still was able to hold its own with very clever writing and commentary about how Batman has been portrayed in recent history. The jokes are hilarious, and the cast of actors are all pretty good. The film does start to lose steam in the final act, and sometimes the actors deliver some clunky lines, but don’t let that get in the way of you from checking out the best DC film from 2016.

17. Mune: Guardian of the Moon

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I consider this to be the The Book of Life of 2016. Mune: Guardian of the Moon has a really great CGI visual style, a cool world, and it does that thing I like about foreign animated films, and dips into both CGI and 2D animation. I love the idea about how everything is a cooperative effort, and one side can’t do everything without having some setbacks. I also think it does the foreign CGI animation the best alongside The Painting, since it looks great with a truly unique visual style. It’s a shame though, that it suffers from the same problems that The Book of Life suffers from in that the lead characters aren’t that interesting and the token female is very bland. The world also need a tiny bit more fleshing out, since the beginning of the film sort of rushes you into it. They also could have taken out some characters, and they would not be missed. Still, I overlooked those flaws, because I had a blast watching a film that also gave off a bad first impression. Once GKids releases this film in August, I would definitely recommend watching it.

16. 25 April

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If you wanted something to compliment your copy of Hacksaw Ridge, then this is the film for you. 25 April tackles a real-life battle from World War 1 known as the Gallipoli Campaign. Like a lot of foreign animated CGI films, they use motion-capture, but pair it up with a rather colorful and vibrant comic book-style art to the characters. However, you shouldn’t think this is going to be nothing but rainbows and cupcakes that spew kittens. Why? Because the battle they show is brutal, violent, but since it’s animation, it also brings in some very pretty and creative visuals. I was really hooked on the characters, and learning a bit about the history of the battle since I’m not fully familiar with what went on during the first World War. However, the motion-capture movements can come off as wonky, and there are a few odd decisions in the story that did take me out of the viewing experience. I haven’t seen an official US release announcement of the film yet, but I hope to hear about it soon, so hopefully, everyone else can check out a rather unique film.

15. Your Name

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When I was making this list, and everyone was saying this was the best film of 2016 along with the best animated film of 2016, I knew I was going to upset everyone when I put Your Name so “low” on the list. I still very much enjoyed the movie. The animation was gorgeous, the scenery was beautiful, I enjoyed the chemistry between the two leads, and I think the overall idea and experience is one everyone should check out. Unfortunately, I found the story to fall apart by the second half. They also needed to explain some elements better, like the body-swapping, and what exactly is going on in the second half after the big twist. I was still invested by the end, and I still enjoy this movie, but personally, this film was overhyped. It’s flawed, but I still liked it, and people should indeed go support it.

14. Phantom Boy

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You mean the duo of directors behind A Cat in Paris made a new movie? Of course, I’m going to watch it and buy it. This tale about a sick boy who can leave his body, and gets wrapped up in a crime thriller is one of the more fun animated films of 2016. The kid is great, the police officer is great, and Vincent D’Onofrio is just perfectly hammy as the villain. It has the same charming chemistry and alluring atmosphere that kept me invested all the way through A Cat in Paris. It does have some issues, like I think they could have gone deeper and more complex with the lead’s ability to leave his body, and the ending is sort of confusing, but I still had a fun time with this creative crime thriller.

13. Kung Fu Panda 3

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Be prepared everyone, this is the last good DreamWorks film we are going to get for a while. Seriously though, all joking aside, I really did like the third film with its emphasis on the father-to-son relationship, and the father-to-stepfather relationship. It was really the heart of the movie on top of the great humor, fun action, and gorgeous animation. There is a reason why this is one of DreamWorks best franchises. Unfortunately, it fell a tad flat, due to a weak if enjoyable villain, and it had a few too many familiar story elements from the previous films. I still love this movie, but it’s one of those films that got hit by the sequel-itis bug, and couldn’t fully escape it. Even then, I really loved this film and it showed you can have good movies in January.

12. Finding Dory

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I know this was also a very popular movie, since it was one of the most financially profitable films of 2016, but like Kung Fu Panda 3, Finding Dory did fall into a tiny bit of sequel-itis that holds it back from me fully enjoying it. Sure, it’s just the first 20 minutes, but still. I also just love Finding Nemo so much, and no matter how good this film was going to be, it was never going to top the original. However, even with all that said, Finding Dory is still really good. I love Dory’s story arc, and how the themes are aimed more at adults than the children, the animation is downright amazing, the colors are vibrant, the voice cast is perfect, and the characters are very memorable. It’s a movie that touches the heart and soul, even if it wasn’t my favorite film of the year.

11. The Red Turtle

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While it is a bummer that this film didn’t make more money, since it’s one of the most unique films of the year, it’s understandable, since for some reason or another, people don’t really know how to react to films with minimal or no dialogue. It means that with no witty or creative dialogue to rely on for the overall experience, the film’s animation and story has to be tight. For the most part, The Red Turtle does succeed in completing such a task. It’s a beautiful and emotional meditation on life, and how one goes through the hardships and challenges that life can put in front of you. I think the story could have been a bit tighter, and some elements could have been explained better. I also don’t see myself watching this Oscar-nominated film a lot, but I still really think people should support it.

Stay tuned for the final part of the list coming out in the future.

Worst to Best Animated Films of 2016 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome back, everyone, to part 2 of this very long list. As usual, if you haven’t seen part 1, here is a link to it. I’m counting down the worst-to-the-best animated films that I saw from 2016, and we shall now move onto the films that are middle of the road, disappointing, and at the very least, visually interesting.

27. Monkey King: Hero is Back

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Want an example of one of the worst dubs that I can ever think of? This movie is the prime example of a distributor that didn’t really care about pushing out a good dub for this popular Chinese-animated CGI action flick. It sounds like they were rushing to get this out, and ignored the level of quality. Even then, a good dub wouldn’t have saved the other problems this film has, like its very Hollywoodized version of the legendary folk tale, horrible jokes, the multiple times the kid should have died but didn’t, and the better than most, but still middling animation. The fight scenes are fun to watch, and out of all the Chinese-animation schlock that Lionsgate, for some reason, likes to bring over, Monkey King: Hero is Back is watchable. It’s the most watchable one out of those films, but that doesn’t mean much when the rest isn’t worth sitting through.

26. Justice League vs. Teen Titans

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Man, it was kind of tough to say this was better than The Killing Joke, because I don’t like this one a lot either. Not only is the title misleading, since the Titans don’t fight the actual League members, but rather fight Trigon-possessed version of them, and get floored by them, but it also focuses way too much on quite possibly the worst character in the current DC-animated film universe, Damian Wayne. Yes, I get why he is as he is, and he does get a good fight later on in the film, but they focused way too much on the guy when it wasn’t really his story. This left the film with very underdeveloped characters that I hope get more screen-time in the upcoming Teen Titans: The Judas Contract(spoiler alert: They do.). I do like some of the characters and the scenes in Justice League vs. Teen Titans, but if this was supposed to be the one reason why we got Young Justice season 3, or anything Teen Titans-related, then I feel scammed, because I had to support a bad movie to get good stuff!

25. The Angry Birds Movie

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Talk about a film that had no reason to be anything but terrible, and ended up a rather decent experience. While I don’t think it’s a great movie, it probably had more effort put into its writing and characters, than any of the previous films on this list. For the most part, I still enjoyed the film’s dialogue, the jokes, and Red and his cohorts were fun to watch. Yeah, everything starts to dissolve into terrible film tripe when the pigs show up, the Mighty Eagle played by Peter Dinklage was pointless and easily the worst part of the movie beyond the celebrity cameos, but by the end, I was enjoying myself due to the voice work. While definitely a mediocre film, it’s the best video game adaptation to have come out to put a lot of the video game film adaptations to shame.

24. The Secret Life of Pets

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While I’m fine with this film doing well in the box office, since it shows “original” films can do well, The Secret Life of Pets still feels so painfully average. It doesn’t do anything in its story well, but it’s not bad either in what it does. I can see why people were so upset with this film’s success, due to how unoriginal and bland it can be. It also doesn’t help that it had 100 different characters who had no real personality to them. Everything was well voice acted and animated well, but the writing was weak, and the characters needed more time to either be fleshed out or taken out of the film altogether. While definitely leagues better than most films from 2016, The Secret Life of Pets will be yet another example of Illumination Entertainment having a great idea, but no noteworthy execution of said idea.

23. Trolls

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Honestly, this film was much higher on the list at one time. I loved the art style, the animation, the voice work, and some of the fairytale-style ideas. I also loved the idea of happiness that it attempted to show throughout the film. Because of all this, it rose above such horrible first impressions with that very first teaser trailer. However, as time went on, I kept bumping it down the list. It might have great ideas, but it never takes full advantage of them. About 80% of the characters don’t have any real character to them outside of their celebrity voices, and much of this otherwise-solid movie felt very manufactured. Like, really? Did we need Gwen Stefani as one of the characters, when she barely has a voice or role? Still, it’s an enjoyable watch, but I get why some were not so happy about this film.

22. Belladonna of Sadness

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Yes, this one counts, since it was never released in the states, even though it came out in the 1970s. Belladonna of Sadness was the final film from this adult animated trilogy that was started by the grandfather of all anime creators, Osamu Tezuka. It’s a beautifully abstract animated film, with all the trippy sexual energy you would see in an animated films from the 70s aimed at adults. Unfortunately, due to how limited the actual animation is, and how uncomfortable the beginning of the film is, its sexual themes will probably turn off a lot of people to this film. It’s the one film I can think of where I will agree and disagree at the same time if you love or hate this movie. It’s a bizarre and interesting experience that is definitely worth checking out if you are into film or animation history.

21. Sausage Party

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Just like Trolls, Sausage Party was higher on the list at one point, but as usual, I thought about it and bumped it down a few pegs. It was mostly because while I found the film funny, a lot of its humor was “miss”, since I’m picky about my stoner humor, and of course, the controversy revolving around the abused animators really does bring this film down. It’s a shame, too, because there was a lot of effort put into its themes and writing, it was a hilarious parody of Pixar-style films, and it’s great that this film opened the door for more animated films to be aimed at adults. It’s still a blast to watch, but your mileage may vary depending on who you are, but hey, that’s comedy.

20. Storks

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This was an amusing surprise, and a sad tragedy that this film didn’t do better in terms of box office numbers. I won’t deny that I get why people are split on this film, but at the very least, I sat through the entire film and found it to be a really great comedic watch. Yes, its world-building and characters are not well fleshed out, but it had the best comedy of the comedy-based animated films of the year. It had beautiful, fast-paced animation, a great comedic cast of actors, and it’s an entertaining experience. I wish it was better, since it doesn’t reach The LEGO Movie or Shrek 2, in terms of animated comedy heights, but I’m definitely going to be watching this one again in the future.

19. SING

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Oh, hey, look, another Illumination Entertainment film is low on the list. While I do admire that the studio was branching out in 2016 with two new films that are not Despicable Me-related, it still had plenty of the flaws you would find in these films, with underdeveloped characters, stories, and, once again, a great crowd-pleasing idea that isn’t taken fully advantage of. It was really aggravating, because this film’s advertising was everywhere, to an extremely nauseating degree. Even then, I still had fun watching this movie. The animation was great, the designs are solid, the contestants are relatable and likable, the music is fantastic, the actors did a great job portraying their characters, and it was a film I’m glad was better than what I was thinking it would be. I always like being surprised. I just hope Illumination can step up their game with future films.

That is it for Part 2 of the list, be prepared for part 3 in the future.

Worst to Best Animated Films of 2016 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome, one and all, to my worst to best animated films of 2016! As a whole, 2016 was fantastic, and if it wasn’t for the theatrical release of a couple of films, it would have been a perfect year. The ground rules are the same as last time. They had to have been released in the states in 2016. This means any foreign films that are released in 2016, but not in the states, do not count. I will also be very strict with straight-to-DVD releases, since the only way they are going to show up on this list is if they had a lot of hype or praise put behind them. If I tackled every straight-to-DVD release, it would be one gigantic pile of schlock and garbage that would be wasting not only your time, but mine, as well. The films also need to have had theatrical releases or digital distribution releases, so that means films like Belladonna of Sadness and The Little Prince make the list. It’s once again, my opinion and my opinion only, because I’m the only one making the list! If you disagree or agree, that’s perfectly fine. I just request you don’t be a jerk about it. Let’s get started with the worst shall we?

37. Norm of the North

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If there was one movie this year that would make me want to curse loudly into the heavens, and want Hollywood to be shut down, revamped, and run by more competent people, it would be Norm of the North. This has everything that is horrible, not only about the animation industry, but the film industry overall. It doesn’t have a story, no likable characters, horrible animation, and is the most offensive, cynical, creatively bankrupt, and condescending film I have seen in a long time. It’s Jem and the Holograms 2015 levels of insulting. The only reason it’s not the worst film I have ever seen is because to me, Delgo and Violence Jack are worse, but this is still the third worst animated film of all time, and easily, the worst animated film of 2016. Anyone who worked on this should be ashamed that it got released in theaters, when it had no right to be.

36. Underdogs

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The smartest thing this film ever did was stay straight-to-DVD, because this movie is just as bad as Norm of the North. However, it ruins that notion with one smart move of being put directly on Netflix. It might have slightly better animation, but it’s still not cinema-worthy, which makes me think that the Weinsteins knew what they had. The animation is clunky, the designs are ugly, the voice acting is nonexistent, since none of the actors are putting in the effort, it all sounds like it was done in a day, the plot is terrible, there are story bits that are never brought up again, the villain is stupid, the film tries to end on a Rocky-like ending when it doesn’t deserve it, and you can really see why The Weinstein Company tried to cover this film up. Hope they don’t pull this kind of garbage with Leap!

35. Bling

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It’s a film that is surprisingly forgettable, but is just as aggravating to think about, when I do remember this cheap Korean knock-off. Yes, I did say that the fights can be decent, and James Woods is the only enjoyable thing about this film. However, Tom Green sounds like he got hit by a tranquilizer, there are way too many fart jokes, too many side characters, bad humor, a horrible moral that pushes materialism over actual love/being in a loving relationship, and no one does a believable performance. Then again, if I was told I was going to be voicing a character in a movie that had the writer behind the first Alpha & Omega in it, I would also not give a rat’s behind in giving a good performance.

 34. The Wild Life

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It’s quite shocking that Lionsgate had the utter gall in 2016 to release two obviously straight-to-DVD-made animated films into theaters. While The Wild Life does have better textures, better designs and animation than the previous films on this list, it’s still pretty robotic, and you can just feel the film try to be more animated than it can be. The story is stupid, the characters are one-note to a huge fault, it’s not really funny, the villains are even more pathetic than the one in Underdogs, and, well, really, Lionsgate? Was this film worth bringing to the theaters, when you are pretty much fine with wasting money on buying straight-to-DVD garbagefests? I respect the film stayed away from a lot of the tropes that make bad animated films, and at the very least, it was trying to be as good as it could be. But just because I say that doesn’t mean it’s a good movie. Just ignore this film.

33. Ice Age: Collision Course

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Finally! We get to talk about a film that rightfully deserved to be in theaters. Sadly, it’s Ice Age: Collision Course. I don’t get why these are made, and Fox shouldn’t have greenlit this one. Hopefully, with the film underperforming, it means they can put a stop to the franchise, because if the next film is anything like Collision Course, then so help me, I’d rather eat the script to the director’s cut of Peter Jackson’s The Lord of the Rings trilogy, than sit through another Ice Age film. The main characters are pointless, Nick Offerman as the main villain is wasted potential, the film relies way too much on butt and poop jokes, they make modern day references when there are no reasons to, everyone is annoying, and all the actors in this film are wasted on such a stupid, heartless script. Simon Pegg was great, but even then, his material couldn’t save the film. Avoid this one at all cost, and I feel badly for any parent who bought this movie and has to watch it with their kids.

32. Ratchet & Clank

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The good news is that they got the look of the game down perfectly. The bad news is that this is a horrible movie. Sure, it’s not Norm of the North terrible, and it is at the very least, watchable, but that’s no excuse. It’s probably the biggest flop in terms of animated films from 2016, when it had the easiest job in terms of being a video game movie. It looks like the game, but the animation and texture quality is still not up-to-par, the lead duos don’t get a lot of screen time, the other characters can be annoying, the jokes are more miss than hit, and I feel like fans of the games are defending this film for no reason. It’s a bad movie, no matter how you look at it.

31. Kingsglaive: Final Fantasy XV

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This is probably the prettiest film on this entire list. It also has the most realistic-looking humans that you will see. Sadly, in terms of the context of the main Final Fantasy XV experience, it’s all seems very pointless. You see characters die who had no real development to them, the big celebrity voices they hired had no purpose other than name recognition, and due to this being a prequel, you are just stuck wondering if you should be invested with anything or not. The fight scenes can be decent, but let’s just say when I do start to play Final Fantasy XV, I will have fonder memories in that game than Kingsglaive.

30. Batman: The Killing Joke.

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If there was one animated film in 2016, that could be considered the most disappointing, it would probably be Batman: The Killing Joke. All this hype for a film adaptation of one of comic history’s most infamous stories, the original 90s Batman animated series’ actors like Tara Strong, Kevin Conroy, and Mark Hamill were reprising their roles, and it was getting an edgy R rating. Too bad it became one of 2016 and DC’s biggest laughing stocks. The additional 30 minutes added to the story was pointless, the infamous sex scene was creepy and terrible, the actual Killing Joke part got hampered by the additional story, the animation was terrible, and the whole film felt like it rode on the hype without being worth it. Oh, and this film had no right in being rated R. It was nowhere close to that level of shocking or mature. I get some people are trying to defend Batman and Batgirl’s notorious sex scene, but come on. There is no reason to defend this film. If you like it, more power to you, but for me, I don’t think I could ever muster up enough effort to watch Batman: The Killing Joke ever again.

29. Snowtime!

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A film that could have been a harmless bit of fluff, ends up being just that, but with an unneeded tragic third act. I don’t think I have ever seen such a horrible change of tone in any film from 2016. It also doesn’t help that the film has boring characters, and any potential in being more than fluff is wasted. It’s not a great film, but considering that it’s higher up on the list, you can tell I have seen worse.


28. Batman: Bad Blood

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This just felt like a Marvel filler movie. And I mean, in a way that this felt like this story was told just to make way for a better future story. Then again, this was right after Batman vs. Robin, which is a great watch. I just got bored watching the movie, and while it does do some firsts, like introduce Batwoman in the new DC animated film universe, but it’s not enough. Don’t get me wrong, Bad Blood still has good voice work and some fun action scenes. I just don’t see myself watching Bad Blood in the near future.

Thanks for checking out Part One! Stay tuned for Part Two in the future!

Worst to Best Animated Films of 2013 Part 3 (Finale)

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Now it’s time to look at the final 11 films from 2013, and be done with this underwhelming year of movies!

11. Colorful

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Before making one of my favorite films of 2016, Miss Hokusai, Keiichi Hara made this animated feature, Colorful. This film is about a soul that gets a second chance at life by being brought back into the body of a young boy who committed suicide. It is up to the soul to find out who he is before six months are up. For the first half of the film, I was not enjoying it. I thought the character designs were ho-hum, the lead character was a giant jerk, it was sort of boring to sit through, and the lead’s voice actor was really annoying. I was sitting there wondering why it was so popular at festivals, and why so many people were gushing over it like it was the most important animated film of all time. When I got to the second half, it finally started to get good, and show why this film was made and its purpose. I loved the scenes between the lead and the father, the lead with the odd friend, and the more atmospheric and quiet moments. When the lead was actually putting his head into the game as to why he was chosen to be brought back, he becomes much more interesting as a character. It has a lot of great moments, but sitting through half a film of mean-spirited characters to get to a really good second half was difficult. I’ll go more into detail at a later date with this film, but I can definitely say that in the end, it was worth checking out.

10. Approved for Adoption

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This is one of the few animated films from 2013 that I would wholly consider unique. Approved for Adoption is an animated/live action documentary about the life of Korean-Belgium comic artist known as Jung. It is about his life when he was adopted by a Belgium family when he was a kid during the Korean War. It’s mixed with beautiful CGI-animated sequences, home-movie footage, and archival footage from that period in time. You can technically call this cheating, since it isn’t purely animated, but in my opinion, it’s animated enough to count. It deserves to exist more so than half the movies on this list. It’s a touching story of Jung’s life as he grows up with his adopted family, and finds his identity in the world. I do have some complaints, like the CGI animation is at times clunky, kid Jung is a punk, and the mother is unlikable as the film goes on. I wasn’t expecting rainbows and lollipops, in fact, it’s probably best that the film doesn’t sugarcoat the actual person’s life, but still. It’s definitely a film that’s not going to appeal to everyone, but it’s a touching story that deserves your attention.

9. Frozen

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I’ll be frank, the reason why this film is in this spot is because Disney milked it to death, and it ruined the charm for me. It’s still a great movie, with likable characters, great dialogue, funny comedy, touching moments, and is overall a fantastic film, but Disney couldn’t let this film be. They squeezed so much cash from this cow that it started to bring out the hipster effect, to where the film got too popular and people started to backlash against it. It does have its faults, like the troll song in the third act, the villain, and the unique fact that this is the first Disney film to be about two sisters and one becomes a queen, but they stay separated for a majority of the film. The ending is also pretty weak, but it’s still great, due to how touching the final moment is and how good the acting was. I still love this movie, but I think a few elements could be better.

8. From Up on Poppy Hill

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I know there is a bit of a split on whether people like this movie or not, but with the exception of the ending, I really enjoyed the story of two kids in a post-World War 2 setting. It really reminds me of the corny, but ultimately charming, Whisper of the Heart. It’s a very laid-back film that has some really great moments between characters, and a rather intriguing mystery on whether the two leads are actually related. Unfortunately, the ending just abruptly happens, and it ends on a whimper. It’s a shame, since the film was directed by Goro Miyazaki and was written by Hayao Miyazaki. It’s still a solid movie, but I wish the ending was better.

7. Justice League: The Flashpoint Paradox

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There is very little surprise as to why this is one of the best reviewed DC-animated films. It’s a well-executed mature film about a “what if” situation focusing on The Flash, and shows the results of one change to the timeline, and how one thing just dominoes into a much different future. The mystery was good, the history changes were intriguing. It was interesting to see some of the dramatic changes, like how Bruce Wayne is killed, and his parents become Batman and The Joker separately, and how essentially, the cataclysmic event of the film was partly started by one of DC’s punching bags, Aquaman. Yeah, I have a few problems that revolve around that, but in the end, that was the one problem I had with this film. It always seems like the writers for the animated stuff had more fun writing for The Flash than any other character. This is one of the few DC animated films that I have seen that I would highly recommend watching on Netflix, or buying a copy if you are curious.

 6. The Painting

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This is essentially Inception with paintings. It is the story of people who live inside paintings that go and search for their creator. This is one of my favorite European-animated films of this decade. I just love the focus, and sincere emotions, and chemistry the characters have for one another. I love the sequences where they jump to and from different paintings that lead them into different worlds and min-sets of said worlds. I adore the great colorful art style that definitely makes this CGI film stand above and beyond a majority of the competition in terms of how good CGi from overseas can look. I do wish there were some sequences explained more, but I can live with that.

5. Wrinkles

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Here is possibly the saddest film on the list. Wrinkles is a film from Spain that follows the life of a retired banker who is slowly going through the states of Alzheimer, voiced by Martin Sheen, as he is moved into a retirement home and becomes roomates/friends with  another old man, voiced by the late George Coe. The story is very mature, and is very much about the relationship between Sheen and Coe’s characters, and how they affect one another. It’s touching, sad, visually fun, humorous, charming, and that last scene. I cried during that last sequence because the words said are so tragic, yet touching. It does have a groaner joke here and there, and I can totally understand if this is not everyone’s cup of tea, but I can highly recommend Wrinkles for anyone looking for a mature animated film that isn’t a stoner comedy.

4: A Letter to Momo

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Once you know this was directed by the same guy who did Jin-Roh: The Wolf Brigade, it makes for an interesting contrast between that dark political thriller and this mature, but more light-hearted film. I have reviewed this film as well, as it’s a wonderful slice-of-life drama dealing with the loss of a loved one, and moving on. It has great characters, wonderful comedic animation, and has yet another Ghibli-style mood and atmosphere with how laidback a good chunk of the film is. There are some moments that somewhat annoy me, but they never bothered me enough to ruin the experience. The best characters were very much the three spirits that follow our female lead around. They worked well off each other, were hilarious, and were likable characters by the end of it all. It can be a very odd movie, but I highly recommend checking out A Letter to Momo if you are looking for a good Studio Ghibli-style movie.

3: Ernest & Celestine

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This was the film that got me into loving everything that GKids does, so it should be no surprise that I put it this high on the list. I already did a review of this movie since it was my very first animated film review, but the story of a mouse and bear becoming close friends in a world where that isn’t allowed, won my heart over, and was the film I think should have won Best Animated Feature, but I digress on that. The beautiful watercolor art direction, with some great animation and good timeless physical comedy, combined with some great chemistry among the characters, makes this one of the most appealing animated films to watch and is easily the first one I would recommend watching if you want to get into the GKids library of animated films.

2. The Wind Rises

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This is definitely one of the more controversial animated films of the past few years. The Wind Rises is a romanticized/fictional biographical story of Jiro Horikoshi, the man who designed the kamikaze fighter jets. I can definitely understand the raised brows and concerns, but since this is Hayao Miyazaki, they don’t approve or praise what Jiro did. More of the focus is Jiro’s passion of making planes. He even regrets and hates that his beautiful planes and designs were used for such a hateful incident. The rest of the movie is about his journey and life as a plane designer. It has everything you love about Ghibli films with its atmosphere, likable characters, quiet moments, and the whimsy. The voice cast is also fantastic, with Joseph Gordon Levitt doing an amazing job as Jiro. Sure, the love interest played by Emily Blunt might not be in the movie a lot, but she and Jiro, while not having too much time on screen, are adorable. I just loved this movie, and if this was actually Miyazaki’s final film, I would have been happy. It might be long, but The Wind Rises is a fantastic movie.

1. Wolf Children

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Surprise of the century that a Japanese animated film could do a better job at a Pixar/Disney film than Disney and Pixar in 2013! Seriously though, Mamoru Hosoda’s Wolf Children is my favorite movie from this year. The story of a widow taking care of her half-human half-wolf kids is right up there with Spirited Away in terms of the best Japanese animated films of all time. It does everything right, in terms of an animated movie. It has likable/endearing characters, a well-paced story, subtle mystical elements that never feel distracting, complex themes of how kids can grow up differently, kid characters who are actually good, top-notch animation, and a fantastic musical score. It’s what you look for in a movie and it’s just a perfect animated film. If you felt like 2013 was bad in terms of animation, I dare you to say that after watching Wolf Children.

Worst to Best Animated Films of 2013 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Here we are with part two! If you haven’t checked out part 1, then you should, since I may or may not reference the previous films on this list. Here is the link to see part 1, and once you are done reading that list, you can go to this list. These films are the middle ground/”I wouldn’t want to watch again” films with the exception of the 11th film. Let’s begin!

18. The Croods

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Oh my golly gee, two DreamWorks films are in the middle of the list? Yeah, this is easily one of their worst years in terms of movies. The Croods definitely has more to it than Turbo, with some interesting concepts, like the old dealing with the new, adaptation, and evolution via the family and the evolved male they meet. The film also has some amazing visuals that are definitely more…Avatar-inspired, with lush vibrant plant life and animals. However, it unfortunately sticks into the “just okay” category of films, due to how it has some interesting ideas, but goes for a more generic tone of the father vs. the guy who’s crushing on his daughter, and becomes a mostly macho competition as they all avoid the danger of their ever-shifting earth. Some of the designs are neat, but they really oversexualized the daughter in this movie. Like, it’s trying so hard to be pleasing to the eye that it does the opposite. It’s a film that also falls under “great ideas and concept, but bad execution” category, which is something this year’s list of animated films are good at.

17. Alois Nebel

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This is easily one of the more visually impressive films from 2013. Alois Nebel is a Czech drama based on a graphic novel about a train dispatcher in the 1980s. He begins to deal with memories of when he was a young boy during World War II, as well as the problems of today after meeting a mute man at the station where he works. Its rotoscope animation and comic book art style definitely brings a personality to this morose story. It’s an ambitious film that’s unfortunately bogged down by a very slow pace. It can be very atmospheric and touching at times, but those parts are few and far between, due to how “plotless” the story can feel. It also has a bit of cultural history behind it, due to this period of time when this film takes place and the point of the WWII flashbacks. It’s not going to be for everyone, and I honestly had a hard time sitting through this film from beginning to end, but I respect it for doing something different than what we normally get with animation. It might be flawed, but it stands out among the 2013 animated films. Definitely get a copy of this, if it is your type of film.

16. Epic

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This film is infuriating, because there is a good dark fantasy film hidden somewhere in this inconsistently toned “epic” adventure. They didn’t need to make a Ferngully-style story, they should have taken out the stunt casting of Beyonce and Pit Bull since they had no reason to be there, a lot of the modern dialogue was distracting, and the comedy relief was grating. The only stunt casting I didn’t mind was Steven Tyler, and that was because he had some of the better lines in the overarching story. If they had just made it its own dark fantasy adventure film, with a more timeless script, mature story, kept the modern elements out, recast some of the stunt casting, and gotten a director like the Russo Brothers or J.J. Abrams, this would have been easily one of Blue Sky Studios’ best movies. It has a solid script (minus the distracting elements), beautiful animation, and some good action. Sadly, it’s a bunch of wasted potential, with villains with no reason to do what they are doing, and in the end giving the movie-goers a very forgettable time. I can understand why some people like it, but it’s more so a very expensive tech demo to show off how good they have gotten with their designs and animation than anything else.

15. Monster’s University

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Even though I already said this about a lot of films on this list, Monster’s University encapsulates the entire “studio mandated/pointless sequel/prequel/cash grab/wasted potential”-style movie perfectly. Yes, there are touching moments, yes, the voice work is entertaining, yes the moral at the end is rather well done, and yes, seeing the different elements of ‘scaring’ broken down into different categories is creative. However, it’s a purely inconsequential movie. We know what’s going to happen in the end, the characters are forgettable, the jokes were either decent or flat, and it’s yet another college frat movie that you saw a million times during the late 70s early 80s, like Animal House. I would have been fine with this film if they either did something clever, or made fun of those college comedies. There is a reason why I call this film the “film that forced Pixar to take a break”, since they didn’t release a film until 2015’s Inside Out, due to their string of failed movies including Cars 2, Brave, and Monster’s University. It’s harmless, but there could have been much more to this film, but Pixar decided to sleepwalk on it.

14. Superman Unbound

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While I don’t hate Superman, I never found him interesting as a character. This movie, Superman Unbound doesn’t really help the case. My overall thought on the movie is that it’s okay. It has some great action, a cool design for Brainiac, and the overall story is told decently, but the art style is very distracting. Superman, Lois Lane, and a lot of the characters don’t look great, and have these weird body types. Even Brainiac ended up being a bit of an idiot, which is always funny when even with how smart characters can be, they can still make some pretty big mistakes, and I don’t know whether it was intentional or not. Still, it was a decent action movie romp, but I would definitely skip this one, and move onto something like Superman vs. The Elite or Superman: Doomsday.

13. The Rabbi’s Cat

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I also reviewed this one in one of my earliest reviews, but I still stand by what I said about it being one of the more interesting, weird movies that I have seen. It’s a surprisingly enjoyable French animated film based off a graphic novel series about a cat that gains the ability to speak like a human after eating a parrot. It’s a slice-of-life-style film, where it doesn’t really have a focused plot, but the dialogue interactions of the characters keep it interesting. I also enjoyed hearing the characters talk about Judaism and their points of view on it. The ending is definitely underwhelming, and the story can be a bit unfocused, but if you are up for something that has a unique art style and a different kind of personality to it, then definitely check this out.

12. Batman: The Dark Knight Returns Part 2

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This is definitely a great and epic way to end one of the better animated comic book adaptations. I still don’t think that The Dark Knight Returns needed to be two parts, since I would rather judge it as a whole, and I don’t like the fact that DC keeps only making 75 minute-long films, but I digress. The second part of the overall story was dark in all the correct ways, I was glued to the screen watching how the story progressed, and while Superman and Batman are definitely older, the fight sequence between the two was intense and epic. I kind of call a stack of bologna on the ending, but it’s comic book stuff. Even then, it’s a great movie. Just try to find a way to get both parts in the Batman: The Dark Knight Returns Deluxe Edition.

 

Stay tuned for the Part 3 of this list!

Worst to Best Animated Films of 2013 Part 1

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

So, I was thinking while I’m working on a list of the Worst to Best Animated films of 2016, I’m going to, from time to time, make lists tackling films from different years. It’s probably going to be more on the side of the recent years due to how many animation studios there are, and how willing certain companies are in bringing more movies from different countries. So, what year did I decide to tackle first? 2013. Why did I choose this year, specifically? Because it was one of the best years for films that I have ever seen. Actually, that would be a lie, since 2013 was pretty bad. Not that we didn’t get anything great, since the Oscar-nominated films were fantastic, and from time to time, you would get a great movie, but man, no one, or at the very least, not everyone was willing to give their A game. This was the year we got stuff like Iron Man 3, Thor: Dark World, After Earth, Oz: The Great and Powerful, The Lone Ranger, The Host, and you get the idea. It wasn’t any better for animation, since Disney, DreamWorks, and Pixar decided to go on auto-pilot with a majority of their films in 2013. However, even though it wasn’t a great year for films in general, 2013 was a fantastic year for indie-animated films. So, what are the rules for these types of lists? 1. They had to be released in the states in 2013. I’m not going to add a film to the list unless it came out that year. 2. No straight-to-video schlock. Unless that direct-to-DVD release was worth a hoot, then I’m not counting it. That way, we don’t have to go through the terrifying number of DVD bargain bin nightmares. 3. They are also in order of which ones I would watch again. 4. it’s my list. It’s my opinion on what I thought were the worst to best animated films, and so on. Will you disagree? Maybe, but don’t be malicious towards me if you see that I didn’t like your favorite animated movie on the list.

Now then, let’s begin with one of the biggest corporate blunders of all time!

27. Walking with Dinosaurs

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You know who the biggest victims of this film were? The animators that worked painstakingly hard on getting the movements, textures, and nature of the animals down, only to have it backfire on them by studio execs ruining everything. Instead of letting the film be its own quiet, albeit generic, dinosaur story, they forced voice-overs at the last minute. It ruins any tension in the film, due to there being jokes and comments that ruin the tone. They will even insert a joke that doesn’t fit into a scene where someone horribly dies. I hope the person who thought this was a good idea loved losing over $44 million+ in the box office. It’s one of the biggest financial blunders of all time in terms of CGI-animated films, and there is no reason for anyone to see this movie.

26. The Snow Queen

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Here is the situation for this movie. It was originally released a year before Frozen, but then was brought over to the states a month before Frozen was released. It is based more on the source material than Frozen is, but overall is just a worse movie. The characters are bland and have dead-eye syndrome, the designs were awkward, the pace of the film makes impactful scenes not work, and the animation, while not terrible, is nowhere near the quality it could have been. My only real positive is that it at least tried to be more akin to the source material, but due to how rushed it all feels, it leaves very little for the viewers to take in, and its clunky animation doesn’t help, either. It’s mediocre, but knowing the stuff I have seen this past year, it’s still more watchable than most. I just wouldn’t recommend it.

25. Justin and the Knights of Valor

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The only reason this is on the list is that it got a limited theatrical release, and Antonio Banderas produced it. Funny enough, he is only a really annoying side character in the film. While this animated film might be worse in overall quality compared to the great CGI of Walking with Dinosaurs, Justin and the Knights of Valor was at least presented as intended. It’s yet another Shrek-style fantasy/comedy that doesn’t really understand why Shrek 2 worked, and is constantly not funny. It also has a universe that doesn’t make a lot of sense, due to how knights were replaced by lawyers, but for some reason still have armored men around, and so on. Justin and the Knights of Valour feels like a concept that didn’t get fleshed out enough. However, when the story focuses on Justin, he’s a pretty solid protagonist. The CGI might not be great, but considering what you can usually see with European CGI, it’s upper-tier. A decent protagonist and “good enough” CGI can’t cover up the horrible humor, pointless side characters, weak villains, a mediocre fantasy/comedy setting that isn’t fleshed out enough, and forgettable characters. Still, I’ve seen worse.

24. Free Birds

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I already reviewed this movie, but I’ll keep it short. Free Birds is a decent attempt at a first-time theatrical film for Reel FX, but it’s still super-generic in terms of its story and characters. The jokes aren’t consistently funny enough to make the film enjoyable to sit through, the human characters have no character, and there really isn’t anything worthwhile for older audiences, which is a shame, since there are animated films that can be enjoyed by both kids and adults. However, even though it’s not a great experience, I did find myself enjoying Woody Harrelson’s character, and how the time machine was voiced by George Takei, who is always entertaining. Still, if you were to watch one movie from this studio, you are better off overlooking Free Birds, and going directly to The Book of Life.

23. Escape from Planet Earth

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I don’t really remember a whole lot from this film, besides seeing one or two commercials for it on TV when it was coming out, and boy, I can understand why no one might remember this movie. It’s a low-grade CGI family film that had the unfortunate situation of a huge amount of studio exec interference, and well, it really shows. The animation is decent, but the designs are ugly, some of the characters are really grating, it’s yet another “jock vs. the nerd” story, and about half the jokes work. However, I do like the nerdy brother, and how competent he is. I mean, with these types of films, the nerdy individual would be inept at about everything, but in this movie, he isn’t. I also enjoyed some of the jokes, especially when the introductory video in Area 51 was shown. Like I said though, even with some of the positives, this film has no reason to be viewed by anyone unless you are very curious in terms of wanting to check out a financially underwhelming film that was screwed over by stupid executives.

22: Planes

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A lot of films you see on this list are definitely in that realm of “no one was asking for this, but execs wanted another financially lucrative merchandise-selling film, so this is why it exists”. Seriously, after the critical failure of Cars 2, you would think Disney would not touch the franchise ever again. Sadly, we got Planes, and while it isn’t by Pixar, it still feels like a waste of money. It’s cheap-looking for something from Disney, the side characters have one-note personalities, the story is generic, and there is no reason for this film to exist other than to sell toys. Luckily, there are still a few bright spots with the film. I actually like Dane Cook’s performance as the lead character, and some of the flying sequences are nice. They just needed a bit more polish to get to that peak of How to Train your Dragon quality of flying sequences. Some of the character interactions have enough chemistry to pay attention to, but you won’t miss anything by not viewing this cash grab spin-off.

21: Cloudy with a Chance of Meatballs 2

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Speaking of cash grabs, the rushed feeling and cheapness of this sequel is very apparent when you watch it. It had a budget that was $22 mil less than the original, and it shows. While the animation is still better than most films, everyone looks plastic and toy-like in terms of skin textures, the animation is really fast to a nauseating degree, the jokes don’t work all the time, there is a stupid misunderstanding/jerk plot point that no one cares about, a bunch of the side characters don’t have much to do, and it’s easily a really annoying experience. The story feels half-baked (ha), due to how the villain, a Steve Jobs parody, hijacks the film, and you can really tell that his animation didn’t get the most attention due to how clunky and, again, cheap it looks. When the film was about seeing the creative food animal designs, it was pretty decent entertainment. The crazy expressions were fun to look at, and the film was pretty vibrant in the color department. Even some of the food puns were pretty funny. The voice work also gets a thumbs-up, due to the material they had to work with. It’s not great material, but you can tell the actors were doing their best when the story wasn’t rehashing jokes or gags from the first film. It’s a sequel with sequelitis problems, and is definitely not a great movie. Although, I do disagree with people calling it the worst animated film of 2013, or one of the worst sequels of all time. It’s bad, but I can think of worst films from 2013, and worst sequels.

20: Turbo

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Freaking DreamWorks! It’s movies like this that make people not take you seriously. Instead of doing something creative and good, DreamWorks (this is pre-buyout by Universal), in all of their wisdom, made a snail that wants to race against actual formula 1 racers. Like, what focus group test did they run, and who were these people who were like, “yeah, this looks like a great idea!” It isn’t. It’s predictable child-pandering auto-piloted schlock. While Ryan Reynolds is a decent protagonist, the slug posse was the most entertaining element about the cast. They aren’t in the film enough, but they were the best element of the film. It’s overall pretty harmless tripe that’s well-animated, but it’s nothing to write home about. It’s easy to see why this film underperformed in the states.

 19: Despicable Me 2

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Talk about a huge improvement in terms of animation. In just a few short years, Illumination was able to improve their animation quality, and it really shows when you watch both Despicable Me films back-to-back. It’s definitely got a lot of the quality aspects of a good movie, like the two leads are funny, the minions were funny (this was before it was the giant annoying trend that it is now), and there was some heart. It’s unfortunately a film that trades in story for humor, and that’s not a terrible thing, but it once again points out that Illumination need better storywriters. The lead villain is tolerable, but they just don’t do anything with the three little girls, and they feel tacked on to the story. Like, I get they can’t retcon them out of the series, but they didn’t do anything. The female lead played by Kristen Wiig is entertaining, but at times is too hyper, and it distracts from the chemistry that she and the lead character have. It’s entertaining, and a film you can turn your brain off to and enjoy, but it still isn’t that great of an overall movie.

Let’s take a break and I’ll post Part 2 in the near future!

Top Reasons Why Kung Fu Panda Rocks!


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To get ready for Kung Fu Panda 3, I rewatched Kung Fu Panda 1, and as of writing this article, will be rewatching Kung Fu Panda 2. Talk about a franchise that took everyone by surprise. I think everyone, including myself, thought this would have flopped. And yeah, I can understand people not liking this film because of the villain or the modern lingo in the kung-fu setting, but I disagree. After seeing the first film, it turned out to be one of my personal favorite Dreamworks films and one of the more consistent Dreamworks franchises in term of quality. It’s right up there with How to Train your Dragon in terms of my favorite Dreamworks franchise. So, I decided to do a list tackling the best parts of the two films. This list specifically will be about the first movie! Oh, and this list will be in no particular order. Let’s get started!

1. The celebrities used are actually good!

I think one major problem Dreamworks has, and it is still a problem with them, is the fact that they will use celebrities as their choices for characters, not because they are the best choice, but because the actors chosen have name and brand value. You then end up with a lot of celebrity voice-mugging, and characters you can’t really commit or invest into because you don’t see them as characters, but as celebrities attempting to do characters. Sometimes you can blame the director of the voice work, but still. It’s a trope that is slowly dying out for Dreamworks, since it doesn’t pan out in long-term acclaim, but it’s still there and unfortunately is a thing that third-party studios are learning the hard way as well. Luckily, when they do choose celebrities for their films, and they fit the characters, then it’s quite a breath of fresh air! I actually think Jack Black has one of his best performances with the film’s main character. I know Black’s more recent films haven’t panned out, but you have to give him credit when he hits it with a good performance, or tries to make the best out of a bad situation. I also like the other actors, even though they are underutilized, like how can they have Jackie Chan, but not give him a lot of lines? Anyway, all the actors fit their roles, and I didn’t find one that stood out or didn’t fit/was distracting. This is when you should be praising actors and the people behind the direction of the voice acting. It’s when they are actual characters that you are invested with, and not just a celebrity phoning in their performance.

2. The animation and fighting is top-notch!

When you have something that is an animated comedy and kung fu flick, you should take as much advantage of it as possible. It’s always so aggravating when you see a show or movie not take advantage of its situation, like Cowboys vs Aliens, Jonah Hex, or Cybernetics Guardian. These three films are good examples, because you would think these individual experiences would be fun or at the very least entertaining, but end up being underwhelming messes. Kung Fu Panda, on the other hand, takes full advantage of its scenario, and ends up with a movie that has some of the best action of any action flick. Its kung fu! How can you mess that up?! The animation also leads to some good expressive characters. It’s a film that knows what to do with itself.

3. The film is beautiful!

My goodness is Kung Fu Panda a beautiful looking film. It has super lush colors and gorgeous scenery. It really helps bring you into this Crouching Tiger Hidden Dragon-like world. Foggy mountainsides, lush grassy fields, bustling towns, and atmospheric temples are all well done. It’s even better in the sequel, but that is for a future list.

4. The philosophy and morals

I like the ideals and the morals of this film. Don’t judge an individual by face value, don’t worry about what has happened or what has yet to come, not letting stress get the best of you, be yourself, and so on. Sure, we have seen some of these ideals and morals before, but they were executed so well, and fit into the overall film.

5. The modern day lingo works!

A lot of problems with Dreamworks films can pretty much be linked to the way their characters talk. It’s very modern, and it’s cynically done to try and be “hip” and “with it” with the kids and casual movie-goers. Again, with Kung Fu Panda, the modern day talk is very limited and not super catchphrase-ish. It’s like with How to Train Your Dragon, when it’s done well to tell a story and to flesh out characters, then its fine!

Yes, you could argue the film can be predictable, The Furious Five don’t get a lot of development, and the villain is weak, but in the end, Kung Fu Panda shows what happens when Dreamworks actually gives a hoot about making good movies. It’s a shame they don’t try to be like Pixar/Disney in terms of taking their time. Yes, I am aware that Pixar recently had their first bomb with The Good Dinosaur, but Pixar has still has the better track record than Dreamworks. Well, I better get to watching Kung Fu Panda 2 so I can get myself ready for the third movie!