Bob Persichetti

148: Spider-Man: Into the Spider-Verse

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If you saw my editorials, talking about what I would like to see change in the big budget US animation scene, I talked about how certain studios should and could use a “shot in the arm” with trying out more ambitious storylines and visual styles. Animation is such a wonderful medium that is hamstrung by studios not bothering with stepping out of their comfort zones. Thankfully, Sony Pictures Animation decided to be a brave individual, and show that not only do you not need to spend triple digit millions, but can also make massive long-term profit and award acclaim with Spider-Man: Into the Spider-Verse. Directed by the trio of Peter Ramsey, Bob Persichetti, and Rodney Rothman, Spider-Verse was released back in December to universal acclaim, winning a massive pile of awards, and has certified itself by a team of me, myself, and I, as the best US animated film of 2018. Shall we swing into the review?

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The story revolves around Miles Morales, voiced by Shameik Moore. He’s a high school student who lives in a world where Spider-Man exists. Nothing is really all that different here in this universe. Spider-Man, voiced by Chris Pine, is loved, Miles dad, voiced by Brian Tyree Henry doesn’t trust Spider-Man, and Miles doesn’t really care about going the distance in becoming a better person. After hanging out with his uncle Aaron Davis, voiced by Mahershala Ali, Miles encounters Spider-Man attempting to stop King Pin, voiced by Liev Schreiber from using a giant machine to cause some supposed chaos. Luckily, Spider-Man sort of stops the machine from working while fending off Green Goblin and The Prowler. The bad news is that Spider-Man ends up getting killed by King Pin. The city is then swept over by sorrow from the loss of Spider-Man, and Miles feels responsible for the death of his universe’s Spider-Man. That is, until he encounters a much more self-defeated Peter Parker aka Spider-Man, voiced by Jake Johnson, from another universe. As the two try to find a way to get the alternate Spider-Man back to his own dimension, they encounter other Spider-Men from different dimensions. This includes Spider-Gwen, voiced by Hailee Steinfeld, Spider-Man Noir, voiced by Nicholas Cage, SP//dr, a Japanese anime-style Spider-Man/robot pilot voiced by Kimiko Glenn, and Spider-Ham, voiced by John Mulaney. They team up to try and stop King Pin, along with his lackeys Prowler, Tombstone, voiced by Marvin Jones III, Doctor Octopus, voiced by Kathryn Han, and Scorpion, voiced by Joaquin Cosio, from starting up the machine again, and possibly destroying Miles’ universe.

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Like a couple of times in my reviews, I want to talk about the animation first. This was the first big selling point when everyone saw the first teaser trailer for Spider-Man: Into the Spider-Verse. The visuals are literally jaw dropping. You will lose your jaw, and then have to go get it surgically reattached with how incredible and striking the visuals are. Everyone has said it, and it’s true, it looks like a literal moving comic book. The bright colors, the many details you would see in most comic books, the textures, the lighting, the designs, and how it all meshes well. Not one character from the different dimensions stands out in a bad way. Everything flows and gels well. I have seen some people argue that the animation is bad, but I’m sorry, that’s just objectively wrong. If you follow animation, then you know Spider-Verse does not have bad animation. The slower framerate and movements are there for a reason. If everything moved as fast as say, Sony’s Hotel Transylvania franchise, it would be an eye sore with all the bright and multi-colored visuals. It’s a style of animation that is used in other parts of the world, like in The Painting and Zombillenium. It’s used to work with the unique art style and not a budget limitation. When you see as much animation that varies in both budget and quality, you can see what is style and what is bad animation. Norm of the North is bad animation. Spider-Man into the Spider-Verse is good animation. End of lecture.

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In terms of the story, Spider-Verse has one of the most complex and complete stories out of most animated films in 2018. It’s the best told story among the US-made films. Films like Incredibles 2 and Ralph Breaks the Internet felt like they either didn’t go far enough with their themes and story, or only went at them in ways where they only go 50% and not 100%. Spider-Man fully commits to its multi-verse storyline mixed in with themes of coming of age, finding your own identity, not being fixated on events from the past, what it means to be a hero, and the harsh realities of being a hero. Every character works well with one another, and they treat everyone as characters. Sure, you can argue and nitpick and say that three of the six Spider-Mans don’t get as much development as the other three, but all six aren’t the main focus. The real focus is on Spider-Gwen, Miles, and Jake Johnson’s Peter Parker. Even Miles’ parents and Parker’s Aunt May are easily some of the best characters out of the movie. It’s so shocking to see an animated film treat everyone with actual dimension and not as one-note archetypes. While you can say that this film’s version of King Pin is not as good as the Netflix one, that isn’t really fair. This is one movie, whereas the Netflix one had three seasons to flesh out the character. It’s not really a perfect one on one comparison. However, you still get why King Pin is doing what he’s doing in the movie, and that’s pretty good. I also like how the film skims over origin stories. We really don’t need another Spider-Man movie that takes 40 minutes of its runtime to flesh out what happens. At least, it’s not a 100% origin story with the exception of Miles Morales, who has probably one of the best developments and stories out of any superhero movie.

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The voice cast for this film is perfect, and everyone seems to be on board and on the same level as everyone else. This isn’t like Venom or The Meg, where everyone, but one or two people know what kind of movie they are in. The talent is crazy good with Shameik Moore, Brian Tyree Henry, Mahershala Ali, Hailee Steinfield, Nicolas Cage, John Mulaney, Liev Schreiber, Jake Johnson, Lily Tomlin, Luna Lauren Velez, Kimiko Glenn, and as usual, seeing the late great Stan Lee in one of his last cameos is touching and endearing. The music is also incredible with plenty of amazing pop and rap songs that fit the tone perfectly. I even bought the soundtrack after I saw the film. I still listen to Vince Staples’ track.

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I really have no complaints about this movie. It’s truly the best US-made animated film of 2018, and congrats to Sony Pictures Animation for their successful 2018 line-up of animated features. Sure, I have minor gripes, but they really don’t matter when everything else is so strong. I highly recommend checking this film out, or getting it on blu-ray the day it comes out. It’s smart, funny, endearing, action-packed, and a blast. I think anyone who thought Sony Pictures Animation should just shut down and “drop dead” need to go crawl under a rock and never come back. Now then, before we hit 150, let’s keep making sure everything is awesome with LEGO Movie 2: The Second Part. Thanks for reading, I hope you all enjoyed the review, and I will see you all next time.

Rating: Criterion/Essentials