Hiroyuki Imaishi

165: Promare Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

When celebrating my 4th year of reviewing animated films, I wanted to pick something that would be special. It’s an exceptional review, and a yearly special should be about an interesting film. Well, what did I pick for this year? I chose Studio Trigger’s first feature film, Promare. Directed by Hiroyuki Imaishi, Promare is an accumulation of what you get when you give a Japanese studio known for high-octane action, a feature film budget, and total unapologetic passion. It's the right kind of project that most passion projects could only dream of becoming. Let's dive right in!

 

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The film takes place in a world where one day, people started gaining the ability to manipulate fire! They were labeled the Burnish. After almost wiping out all of the earth, 30 years pass, and we come to the beginning of the film where the major Burnish threat was taken care of. A Burnish fire breaks out, and a team of specialized firefighters called Burning Rescue is sent to take out the Burnish threat and save the innocent lives. Our main hero is Galos Thymos, dubbed by Billy Kametz. He's the rookie member of Burning Rescue that ends up encountering the leader of a terrorist group called Mad Burnish. The leader of this terrorist group is named Lio Fotia, dubbed by Johnny Yong Bosch. After Galos captures Lio and his two grunts, things unfold into chaos as maybe the Burnish are not the bad guys, and something might be up with the governor of the city, Kray Foresight, dubbed by Crispin Freeman. 

 

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I want to start gushing about the film, and there is nothing any of you can do to stop me! Anyway, the animation is downright gorgeous. Sure, it might be a mix of 2D and CGI animation, but, and I mean this with all sincerity, Promare might be the best Japanese-animated film that combines the two. The color choices are so perfect. All of the colors, even the darker ones are bright. The blues, the reds, the whites, the blacks, the neon pinks, the yellows, and you get the idea. Even with such a bright color palette and cartoony designs and movements, there are some beautiful shots and serious moments that never feel out of place. This film's visual direction is on point. 

 

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Now, in terms of action, it's Studio Trigger. They open up with one of the most exciting sequences that you will see in 2019, and the action ramps up from there in true Studio Trigger fashion. It's well-choreographed, exciting, never too busy to miss out on what's going on, and it's so earnest and aware of how absurd the fighting is. The dialogue during the animation is so aware of its epic nature, that it constantly calls itself out. 

 

Even though the film is advertised as this epic action film, Promare does take time to let the story breathe, tackle themes about discrimination and nature, and let the characters flesh themselves out more. I found myself rooting for the good guys and the Burnish in their ideals and reasons for doing what they do. It might be loud dumb fun, but it has a heart, and that's what keeps it from being a style-over-substance problem that we see in many passion projects. It knows when to push the pedal to the metal, and it knows when to chill for a moment. 

 

In terms of the dub, I adored the cast they hired. You have some veteran voice actors like the always awesome Johnny Yong Bosch, Kari Wahlgren, Neil Kaplan, Crispin Freeman, and my man Steve Blum, but everyone was well-cast and put in five-star performances. Everyone was on the same page, and I didn't see one actor who was left out. While anime voice acting can have its challenges, I bet everyone had a fun time getting to be boisterous, loud, and entertaining. Seriously, Billy Kametz, Erica Lindbeck, Matthew Mercer, Melissa Fahn, Mike Pollock, Alyson Leigh Rosenfeld, and Yuri Lowenthal were all fantastic. The music as well was perfect. It was grand in scale, epic, and it kept me and the audience excited throughout the entire film. Composer Hiroyuki Sawano put in a soundtrack that I could hear myself listening to anytime I'm about to go to work or getting ready for a physical workout. It's just so beautiful, and I got pumped up and was ready for the next scene. 

 

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Now, I could talk about how maybe some of the absurdity was a little much, or how the majority of Burning Rescue characters don't get much screen time or development, but you know what? That doesn't matter for this film. It's meant to be this big fun movie, and that's what I got. It had great animation, exciting action sequences, likable characters, awesome music, and was a blast from beginning to end. If you can find a theater that will be playing the dub or sub version of this film, go and watch it! For now, I think it’s time to look at one more Japanese feature before we watch DreamWorks Abominable. How about we make a return visit with our favorite anime thief, and check out Lupin the 3rd: Goemon’s Blood Spray?

Thanks for reading my review! I hope you enjoyed it. Make sure to like and share it! If you would like to support my work, you can become a patron at patreon.com/camseyeview. I will see you all next time!

Rating: Criterion/Essentials

 

 

Animation Tidbits: Annecy 2019 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Alrighty, for the final part of this look at Annecy 2019, I decided to combine a bunch of films from different categories. This is because the various categories don’t have enough to warrant talking about in individual articles. At least, that is my opinion on the other categories. The one major change they made was a new category called Contrechamp, a category with animated features that are in competition, but have visuals that challenge the medium of animation. Otherwise, the films on the list will be from the screening events and In Production section of the festival. Let’s get started!

Children of the Sea (Contrechamp)

Directed by Ayumu Watanabe, the story focuses on a girl named Ruka, who saw a ghost in her dad’s aquarium when she was little. She becomes attracted to the aquarium and the appearance of two mysterious boys named Umi and Sora, all the while the adults who work there figure out the mass disappearance of the earth’s fish. In a lot of ways, it’s almost unfair that this film is the perfect representation for the Contrechamp section of the festival. It’s almost unfair how downright jaw-dropping-off-your-face beautiful the film is. Studio 4C has done a lot of great work, but this easily looks like it will be their best. Plus, with GKids now attached to bringing it over to the states this year, I have major hopes it’s going to be at Animation is Film 2019! If that wasn’t enough to get you hyped, Joe Hisaishi, the composer behind many of the Studio Ghibli classics, is composing the music for this film.

Away (Contrechamp)

Directed by Gints Zilbalodis, Away is about a young man who’s riding a motorcycle, trapped on a mystical island while trying to avoid a shadowy monster chasing him. This is also a film that looks like it will be taking advantage of the Contrechamp title. Sure, it kind of looks like an indie game that’s trying to be the next artistic achievement in gaming, but that’s sort of the fun of it. Plus, this was directed and animated by someone who is 25 years old. That is wildly ambitious and I give him kudos for that. It looks like a visually creative film that I hope does well.

Underdog (Contrechamp)

Directed by Sung-Yoon Oh and Chun Baek Lee, the story revolves around a blue dog that was once a house pet, but ends up back in the wild. He encounters wild dogs, and tries to help them survive and live freely. Generic title aside, I really like the visual look of this film. It reminds me of the work arounds French animation uses in projects like The Painting. It has a super vibrant color palette, and while the CGI may not be Pixar or Disney level at all, it has its own identity and personality to it. I’m happy to see South Korean animation finally making some break-out titles to show that they can make animated features that aren’t tied down to propaganda, and can be watchable by all. Though seeing some of the marketing blurbs say it was more emotionally gripping than Zootopia? Yeah, we will have to see about that.

Ville Neuve (Contrechamp)

Directed by Felix Dufour Laperriere, Ville Neuve focuses on a man named Joseph, who moves into a house with his friend, and tries to get back with his ex-wife, and this is happening with the 1995 Quebec Referendum happening in the background. I like the minimalist approach with its focus on whites, blacks, and grays. It comes off like a more personal and intimate film, and I can’t wait to see what the reviews say about this one.  

Playmobil (Screening)

Now then, let’s jump in with the first film in the “Screening” category. Directed by Lino DiSalvo, the story focuses on a young woman named Marla, played by Anya Taylor-Joy, who gets pulled into this Playmobil world with her brother Carlie, played by Gabriel Bateman. They get separated, and it’s up to Marla to team up with Rex Dasher, a secret agent voiced by Daniel Radcliffe and Del, a food truck driver voiced by Jim Gaffigan, to get her brother back and avoid the evil clutches of Emperor Maximus, played by Adam Lambert. Yeah, this film did not get the warmest impression, being negatively compared to the 2014 The LEGO Movie. I can understand why. It comes off as a bit outdated that there needs to be a reason for the Playmobil world to exist, when people would rather just enjoy the world that they make. Still, the film looks silly and aware about itself, and some of the jokes I saw got a chuckle out of me. Hopefully it can be an entertaining flick once it releases later this year.

The Prince’s Voyage (Screening)

Directed by Jean-Francois Languionie and Xavier Pircard, this is a follow-up to a film Jean Francois did a while back called A Monkey’s Tale, which follows the prince from that film, as he washes up on the shore of an island, and encounters an individual named Young Tom and his two parents, who were exiled scientists. The film itself looks great, but that should be no surprise, because it’s the same guy behind The Painting, but I am curious to see how they make this film work, because who remembers A Monkey’s Tale? It has only gotten an English UK release, and no one in America has probably heard of this guy or his films. Still, the CGI looks stylized, and I’m curious to see how this film does in continuing the story with these characters in a travel diary-style form.

Abominable (Screening)

Finally, we are seeing actual trailers and footage for this film. Directed by Jill Culton and Todd Wilderman, we follow the exploits of a young Chinese woman named Yi, voiced by Chloe Bennet, as she encounters an actual Yeti on the rooftop of her apartment building. It was previously caught by a scientist named Dr. Zara, voiced by Sarah Paulson, and an evil rich man named Burnish, voiced by Eddie Izzard. It is up to Yi, her friends Peng, voiced by Albert Tsai, and Jin, voiced by Tenzing Norgay Trainor, to get the Yeti back to his home in the mountains. This is an important film, due to this being DreamWorks first Chinese collaboration with Pearl Studio. As per usual with their non-comedy stuff, Abominable looks visually great, and has some endearing moments, but the jokes and references made in the first trailer and in the recent trailer are iffy. Hopefully, this is more of DreamWorks working at a How to Train your Dragon and Kung Fu Panda level, and not Shrek the Third level. Also, what is up with their marketing for this film? Everyone has already seen a trailer for the film for two or so months before the “official” trailer was released last week. What was the point of having two trailers and one of them was already viewable in theaters? Oh well, I hope this is a good movie.

Toy Story 4 (Screening)

Directed by Josh Cooley, we follow our heroes dealing with their new lives and a new encounter with a self-made toy named Forky, voiced by Tony Hale. One day, Forky gets out, and Woody, voiced by Tom Hanks, sets out to bring Forky back, but also runs into Bo Peep, voiced by Annie Potts. Shenanigans then ensue as Woody and the gang try to get Forky back to their new owner Bonnie, and Woody starts to have a crisis of what it means to be a toy. It’s too easy and frankly lazy, to say how this is a “cash grab”, when all films are cash grabs. We didn’t need a 4th one, but if we needed this one to get back on the train of original films starting with next year’s Onward, then so be it. Plus, I have been hearing good early word of mouth, and plus, who doesn’t want to see Keanu Reeves in his first ever voice role? Even if we might “not need it”, I’m glad to go back if the story is good.

Frozen 2 (Screening)

Directed by Chris Buck and Jennifer Lee, our heroes from the first film, Elsa, Anna, Kristoff, and Olaf are off on another adventure to go beyond the kingdom of Arendelle. Yeah, there isn’t much known about the film right now, so let’s talk about how incredible the teaser trailer was. This film looks jaw-dropping-off-your-face-and-exploding gorgeous. I’m sure a lot of this is just teaser editing, and the film may not be this serious in tone, but wouldn’t that be awesome if it was? I know there is a bit of Frozen burnout, but I liked the first movie, and I’m excited to see how this new one unfolds.

Weathering With You (WIP)

In the Work in Progress section, we have the newest film from Makoto Shinkai. The story revolves around a young boy who moves to Tokyo alone, and almost becomes broke, until he gets a writing job for an odd occult magazine. His life feels like it’s constant misery, as rain and dark clouds follow him everywhere. One day, he encounters a young girl who has a mysterious power to clear the sky of the clouds and rain. While I have been critical of some of Shinkai’s efforts and directorial touches in the past, this one has me very excited. To no surprise that Shinkai has more drop-dead eye-popping visuals, something about the story feels instantly likable, and GKids recently announced that they will be bringing it over! I can’t wait to see this film, and I hope to see it sometime soon.

Promare (Midnight Special)

Finally, for the Midnight Special, we have Promare. Directed by Hiroyuki Imaishi, and animated by Studio Trigger, we follow Galo Thymos and his team, the Burning Rescue Fire Department. Their main goal is to take down a group of evil mutants called BURNISH that emits and can control a special fire that is engulfing the planet. This movie looks so over-the-top, silly, nonsensical, it’s super drenched in its anime identity, and this is why I follow foreign/indie animation. This movie looks crazy in the most positive way possible. Sure, if you know anything about Studio Trigger’s previous work like Kill la Kill, Space Patrol Luluco, Little Witch Academia, and SSSS Gridman, then you know you are going to get some of the most vibrant Japanese animation around. It looks like a lot of fun, and I hope to also see it soon.

And that wraps up what I think looks to be the most promising at the Annecy International Film Festival. Even with these listed, there are truly more interesting features being shown in their completed form or work-in-progress form. Just go check out the site, and see the multitude of animated projects being shown, and find your favorites.