Kirk Thornton

166: Lupin the 3rd: Goemon's Blood Spray Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com/camseyeview. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Warning/Parental Heads up! This is a very violent special. You will see limbs fly off, blood, and visions of beheading individuals. There are also some sexual tension and minor pot smoking. This is absolutely not meant for a younger audience. Viewer’s discretion is advised. Hope you like the review!

When you have such an iconic cast of characters like Lupin the 3rd does, it’s always a bit concerning when the film decides to focus on just one of them, and that one isn’t Lupin. Sure, you can make an interesting story or experience with someone like Fujiko and Daisuke Jigen, but then you have Goemon. From all of my years of loving Lupin the 3rd, Goemon has been one of the more frustrating characters on which to focus a story, because of his stoic samurai character. He’s kind of boring, and only gets fun when he uses that sword to do over-the-top sword slicing stuff. That’s why today’s review is probably going to be the best way to form a story around him, Lupin the 3rd: Goemon’s Blood Spray

 

Directed by Takeshi Koike, Goemon’s Blood Spray is the second of specials that connect back to the Fujiko Mine mini-series that may or may not take place at the very beginning of the Lupin the 3rd timeline. Listen, with continuity for this franchise, you just have to wing it, and not think about it so hard. Anyway, let’s dive right into this little gorefest. 

 

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The story takes place after Jigen's Gravestone, as we see our gang of likable thieves stealing from a Yakuza-operated casino ship. While on the ship, Lupin, dubbed by Keith Silverstein, Jigen, dubbed by Dan Woren, and Fujiko, dubbed by Cristina Vee, are just there to steal the money. Goemon, dubbed by Lex Lang, is there to protect a Yakuza boss from harm. Unexpectedly, a third party is thrown in the fray with a killer known as Hawk aka the Phantom of Bermuda, dubbed by Kirk Thorton. Hawk is sent to kill Lupin, Jigen, and Fujiko. Goemon tries to defend the three and fails to do so, but they are then saved by Inspector Zenigata, dubbed by Richard Epcar. Can Lupin and the gang avoid the killer ax swings of Hawk? Can Goemon redeem his failure to take down the giant killer? 

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Like I mentioned above, while Lupin, Jigen, Zenigata, and Fujiko are in the film, much of this film's focus is on the lone swordsman, Goemon. So, how do you make a character, which is usually untouchable, vulnerable? It's rather simple, set the story with Goemon before he's the unstoppable swordsman that he is in the main series. The plot is fairly basic in this film as it places Goemon against Hawk, and the main goal and drive of the story are for Goemon to achieve that level of swordsmanship that can put him on the same level or higher than Hawk. It's a very samurai-style film, but it fits. A lot of that is because the special knows what it needs to focus on and to have a threat that can propel the story forward. One of the best parts about this special is Hawk. Along with Jigen's Gravestone's Yael Okuzaki, Hawk is one of the deadliest threats in the Lupin the 3rd universe. He's big, strong, stoic, unmoving, and versatile with his two axes. He's not a dumb or typical hired hitman villain either. Due to being an ex-military soldier, Hawk can and will adapt to the situation at hand. Even using bullets on him does not work. I love that he looks like something out of a Hong Kong or early 70s/80s action flick. He would fit perfectly in films like Commando or any of the action films Hong Kong was putting out at the time. 

So, since this is pretty much Goemon's story, what do the other characters have to do? Well, a lot of the plot that involves Lupin and Jigen starts and stops at the cruise ship heist at the beginning, and then becomes the targets of Hawk. Fujiko doesn't have a whole lot to do, and I think that's good. The problem with the last special within this Lupin continuity was that she did little, and was mostly fan service. In this film, she bails at the halfway point while Goemon is training. Zenigata has a bit more to do this time as he tries to not only capture Lupin and Jigen, but also find out why Hawk was there in the first place. The rest of the cast are setups for Goemon's story, including the gang of yakuza that Goemon was protecting back on the ship. 

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Animation-wise, it's on par with the last special. The darker outlines, slicker designs, and action sequences are all beautiful to look at and watch on screen. The movements are so fluid, and you are constantly hooked to see how the fights pan out. Like I also said above, this is a very violent film. Not early 90s anime violent, but you will see limbs fly, blood spray, and Goemon get a part of his arm sliced like a Deli slicing roast beef. You will be getting action sequences that can be compared to the ones you see in Sword of the Stranger. The dub cast is also pretty spectacular. We have the returning cast of Keith Silverstein as Lupin, Dan Woren as Jigen, Richard Epcar as Zenigata, and Cristina Vee as Fujiko, but the two newcomers, Kirk Thorton and returning Goemon voice actor Lex Lang are wonderful additions to the cast. Kirk brings this weathered and tired portrayal to Hawk, and Lex brings his A-game and his best Goemon performance to date. Of course, this wouldn't be a Lupin special if it didn't have a pretty cheesy rock song at the end of the special by Rob Laufer. 

 

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So, what did I not like about this special? Well, while it is stripped down, I would have loved a bit more connection and explanation about who hired Hawk to kill Lupin, Fujiko, and Jigen. They don't explain it, despite this special being a sequel to Jigen's Gravestone. Was it Mamo who sent Hawk after the gang? What happened to Hawk after the fight with Goemon at the end? I think turning this into a 90-minute feature would have helped flesh out the story more. I still love the plot, but it needed to either cut more or expand more. 

 

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In the end, Goemon's Blood Spray is a thrilling violent romp, reminiscent of some of anime's best action films. I highly recommend picking up the recently released Blu-ray from Discotek Media. It's very entertaining, violent, and it made a usually tough character to make interesting, well, interesting. It's still not Castle of Cagliostro, but I consider it one of the best specials out of the Lupin the 3rd franchise. Now then, we shall move from the blood-soaked lands of Japan to the shivering mountaintops as we look at DreamWorks and Pearl Studios' Abominable

 Thank you for reading the review! I hope you all enjoyed it! If you would like to support my work, make sure to like and share this review! You can also be a patron for my Patreon at patreon.com/camseyeview. I will see you all next time! 

Rating: Go see it!

The Other Side of Animation 101: In This Corner of the World Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

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With Hayao Miyazaki coming back for one more film, and a huge slew of teen/young adult-focused animated dramas coming out of Japan, Japanese animation is a big deal. There are a few directors that everyone should be following or watching their work. You have, of course, Hayao Miyazaki and Isao Takahata, but you also have Mamoru Hosoda, Kenji Kamiyama, Hiroyuki Okiura, Masaaki Yuasa, and of course, Makoto Shinkai. There are definitely others that should be on your radar, but I’m going to be talking about one director today, Sunao Katabuchi. His contributions to the anime/animation scene can be considered not as big as some of the others I listed above, but he has left his print on certain products, like the popular Black Lagoon series, the award-winning Mai Mai Miracle, Princess Arete, and a film that is the focus of today’s review, In This Corner of the World. This animated film, based on a manga, was released last year to critical and wide-spread acclaim, bringing home multiple awards, and winning the Jury Prize at the 2017 Annecy Film Festival. It was then picked up and distributed over here in the states by Shout! Factory and Funimation. So, how is it? Well, let’s dive in.

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The story follows our female lead, Suzu, voiced by Laura Post, an innocent-minded individual who loves painting/art while living in her town of Eba. We follow her when she is a child through the rough times of marriage with her husband Shusaku, voiced by Todd Haberkorn, family problems on both sides, and of course, World War II. Can she find a way to get through this horrific couple of years? What will happen between her, her husband, and her two families?

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So, I know my plot summary sounded a bit half-baked, but I would consider this film to be closer to a Japanese-animated film from last year, Miss Hokusai. I compare In This Corner of the World to Miss Hokusai, because the story of In This Corner of the World is less structured, and is more about smaller sub-stories of Suzu and her life in Japan during the war. The film’s main theme is about resilience during such rough times. It’s different than other Japanese World War II films, like Grave of the Fireflies, where it was all about the consequence of pride battling against coming to terms with the times. Throughout In This Corner of the World, Suzu is constantly challenged with different obstacles, like how to keep meals going when shortages happen, dealing with the interactions with her in-laws, and the occasional bombing. You might see the lush and soft watercolor art style and shorter designs as this film is being something more innocent and romantic. Yeah, don’t be caught off-guard by the art style. This film has some incredibly savage moments of pure raw emotion. They do not hide the fact that this film takes place in a very specific part of Japan. The film actually has a very haunting note to it, because from time to time, they will show off the date of the month and year, and if you know anything about history, you know sooner or later, something is going to drop. The film will not leave these characters untouched or consequence-free by the war, and just because it looks more family-friendly, doesn’t mean you should ignore the fact that this is a war movie. The film does a mostly good job at pacing out the tougher and more loving moments. It’s not just depressing moment after depressing moment. Not to say that a film about war can’t be like that, since, well, it is war, but In This Corner of the World is meant to be more optimistic and hopeful in terms of its goal, and I think it succeeds. You care about the characters, and you want them to be okay. It makes it all the more emotional when something bad happens.

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The animation is beautiful. I love that they went with a more watercolor style that really makes this film stand out along with the character designs. In an age where a lot of anime is becoming more and more homogenous with its designs, it’s nice to see a film take a risk and look different. I don’t even find the designs to be distracting, due to the fact that you will see some horrific stuff happen. The film even takes some moments to be artsy, and it doesn’t come off as pretentious or trying too hard to be more. In terms of the dub of this film, I thought it was pretty good. The crew of Laura Post, Todd Haberkorn, Barbara Goodson, Kirk Thornton, and Kira Buckland did a good job capturing the emotion and performance of the characters.

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If I had to complain about something about the film, there are some small gripes. There was one scene where I feel like the dub team couldn’t find a way to get around the fact that a character is saying “I can recognize your accent is different, and not from here” when everyone is speaking English, but it’s still distracting. I also feel like there are some moments where the story has characters for very specific reasons. It’s a Miss Hokusai situation, so you probably know what I’m talking about. While I do love the overall film, sometimes, the really dramatic moments feel a bit odd in terms of pacing. Right before the film ends, they have another bomb drop, and show a little girl walking with her mother who was pretty much dead, and it felt odd because it came right after a very touching and emotional scene between Suzu and her husband. It ends on a good note, but it felt “off” to me.

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For now, In This Corner of the World is my favorite animated film of 2017. It’s touching, beautiful, wonderfully animated, emotionally gripping, and a really fantastic film. Since there is so much concern about how the Best Animated Feature will pan out, I think it’s time for the smaller releases to get some recognition, since let’s be real, the only big animated film to win this year will be Coco. If you love animated films that are more complex than what you get with most big-budget animated films, then please find a way to watch In This Corner of the World or buy it when it comes out on DVD. It’s one of my favorites of the year, in a year with some amazing small-scale animated films. Well, it’s been two years since I have started reviewing animated films. It’s time to look at something special. I think I’ll keep what it might be a secret. Thanks for reading! I hope you enjoyed the article, and I will see you all next time!

Rating: Criterion/Essentials