SING

Worst to Best Animated Films of 2016 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome back, everyone, to part 2 of this very long list. As usual, if you haven’t seen part 1, here is a link to it. I’m counting down the worst-to-the-best animated films that I saw from 2016, and we shall now move onto the films that are middle of the road, disappointing, and at the very least, visually interesting.

27. Monkey King: Hero is Back

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Want an example of one of the worst dubs that I can ever think of? This movie is the prime example of a distributor that didn’t really care about pushing out a good dub for this popular Chinese-animated CGI action flick. It sounds like they were rushing to get this out, and ignored the level of quality. Even then, a good dub wouldn’t have saved the other problems this film has, like its very Hollywoodized version of the legendary folk tale, horrible jokes, the multiple times the kid should have died but didn’t, and the better than most, but still middling animation. The fight scenes are fun to watch, and out of all the Chinese-animation schlock that Lionsgate, for some reason, likes to bring over, Monkey King: Hero is Back is watchable. It’s the most watchable one out of those films, but that doesn’t mean much when the rest isn’t worth sitting through.

26. Justice League vs. Teen Titans

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Man, it was kind of tough to say this was better than The Killing Joke, because I don’t like this one a lot either. Not only is the title misleading, since the Titans don’t fight the actual League members, but rather fight Trigon-possessed version of them, and get floored by them, but it also focuses way too much on quite possibly the worst character in the current DC-animated film universe, Damian Wayne. Yes, I get why he is as he is, and he does get a good fight later on in the film, but they focused way too much on the guy when it wasn’t really his story. This left the film with very underdeveloped characters that I hope get more screen-time in the upcoming Teen Titans: The Judas Contract(spoiler alert: They do.). I do like some of the characters and the scenes in Justice League vs. Teen Titans, but if this was supposed to be the one reason why we got Young Justice season 3, or anything Teen Titans-related, then I feel scammed, because I had to support a bad movie to get good stuff!

25. The Angry Birds Movie

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Talk about a film that had no reason to be anything but terrible, and ended up a rather decent experience. While I don’t think it’s a great movie, it probably had more effort put into its writing and characters, than any of the previous films on this list. For the most part, I still enjoyed the film’s dialogue, the jokes, and Red and his cohorts were fun to watch. Yeah, everything starts to dissolve into terrible film tripe when the pigs show up, the Mighty Eagle played by Peter Dinklage was pointless and easily the worst part of the movie beyond the celebrity cameos, but by the end, I was enjoying myself due to the voice work. While definitely a mediocre film, it’s the best video game adaptation to have come out to put a lot of the video game film adaptations to shame.

24. The Secret Life of Pets

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While I’m fine with this film doing well in the box office, since it shows “original” films can do well, The Secret Life of Pets still feels so painfully average. It doesn’t do anything in its story well, but it’s not bad either in what it does. I can see why people were so upset with this film’s success, due to how unoriginal and bland it can be. It also doesn’t help that it had 100 different characters who had no real personality to them. Everything was well voice acted and animated well, but the writing was weak, and the characters needed more time to either be fleshed out or taken out of the film altogether. While definitely leagues better than most films from 2016, The Secret Life of Pets will be yet another example of Illumination Entertainment having a great idea, but no noteworthy execution of said idea.

23. Trolls

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Honestly, this film was much higher on the list at one time. I loved the art style, the animation, the voice work, and some of the fairytale-style ideas. I also loved the idea of happiness that it attempted to show throughout the film. Because of all this, it rose above such horrible first impressions with that very first teaser trailer. However, as time went on, I kept bumping it down the list. It might have great ideas, but it never takes full advantage of them. About 80% of the characters don’t have any real character to them outside of their celebrity voices, and much of this otherwise-solid movie felt very manufactured. Like, really? Did we need Gwen Stefani as one of the characters, when she barely has a voice or role? Still, it’s an enjoyable watch, but I get why some were not so happy about this film.

22. Belladonna of Sadness

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Yes, this one counts, since it was never released in the states, even though it came out in the 1970s. Belladonna of Sadness was the final film from this adult animated trilogy that was started by the grandfather of all anime creators, Osamu Tezuka. It’s a beautifully abstract animated film, with all the trippy sexual energy you would see in an animated films from the 70s aimed at adults. Unfortunately, due to how limited the actual animation is, and how uncomfortable the beginning of the film is, its sexual themes will probably turn off a lot of people to this film. It’s the one film I can think of where I will agree and disagree at the same time if you love or hate this movie. It’s a bizarre and interesting experience that is definitely worth checking out if you are into film or animation history.

21. Sausage Party

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Just like Trolls, Sausage Party was higher on the list at one point, but as usual, I thought about it and bumped it down a few pegs. It was mostly because while I found the film funny, a lot of its humor was “miss”, since I’m picky about my stoner humor, and of course, the controversy revolving around the abused animators really does bring this film down. It’s a shame, too, because there was a lot of effort put into its themes and writing, it was a hilarious parody of Pixar-style films, and it’s great that this film opened the door for more animated films to be aimed at adults. It’s still a blast to watch, but your mileage may vary depending on who you are, but hey, that’s comedy.

20. Storks

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This was an amusing surprise, and a sad tragedy that this film didn’t do better in terms of box office numbers. I won’t deny that I get why people are split on this film, but at the very least, I sat through the entire film and found it to be a really great comedic watch. Yes, its world-building and characters are not well fleshed out, but it had the best comedy of the comedy-based animated films of the year. It had beautiful, fast-paced animation, a great comedic cast of actors, and it’s an entertaining experience. I wish it was better, since it doesn’t reach The LEGO Movie or Shrek 2, in terms of animated comedy heights, but I’m definitely going to be watching this one again in the future.

19. SING

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Oh, hey, look, another Illumination Entertainment film is low on the list. While I do admire that the studio was branching out in 2016 with two new films that are not Despicable Me-related, it still had plenty of the flaws you would find in these films, with underdeveloped characters, stories, and, once again, a great crowd-pleasing idea that isn’t taken fully advantage of. It was really aggravating, because this film’s advertising was everywhere, to an extremely nauseating degree. Even then, I still had fun watching this movie. The animation was great, the designs are solid, the contestants are relatable and likable, the music is fantastic, the actors did a great job portraying their characters, and it was a film I’m glad was better than what I was thinking it would be. I always like being surprised. I just hope Illumination can step up their game with future films.

That is it for Part 2 of the list, be prepared for part 3 in the future.

The Other Side of Animation 73: Sing Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

Spoiler Warning/Parental Heads up: I will be spoiling this movie in its entirety to bring up some points about the problems Illumination has. Then again, the trailers already ruined the plots and endings to many of the characters in their advertising, so I don’t feel too bad spoiling it.

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To me, I shoot from the hip, in terms of how I feel about animation studios. I will praise and support a film that is good and has great elements to talk about, but I will not hold back if there is something bad, or worth criticizing. I won’t fully label a company with their pros and cons in some witty phrase or quote, but I’m going to mention when a film doesn’t work for me on a personal level. That’s why I’m so willing to praise and criticize Illumination Entertainment. They are obviously super-talented, and have a lot of great or entertaining ideas, but they either don’t go all the way with them, or the writers or storytellers don’t branch out enough in terms of making a unpredictable or messy story. This is true with their newest movie Sing. It’s definitely a very entertaining movie, but you get the feeling that they could have done a bit more, and changed a few things to make it an even better bit of harmless fun entertainment. Let’s pick out our favorite songs and find out what I like and don’t like about Garth Jennings’ Sing.

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The story revolves around a Koala theater owner named Buster Moon, voiced by Matthew McConaughey. He is unfortunately not raking in the dough, and is in danger of being bought out by the bank. As a last resort, he decides to hold a singing competition, with a thousand dollar prize. Unfortunately due to a typo caused by his secretary, the fliers say $100K, and of course catches the attention of the entire city. After a slew of auditions that range in quality and song choice, the finalists are chosen. They include a Frank Sinatra-style mouse named Mike, voiced by Seth MacFarlane, a punk rock porcupine named Ash, voiced by Scarlett Johansson, a shy teenage elephant named Meena, voiced by Tori Kelly, Rosita, an overworked pig mother of 25 kids, voiced by Reese Witherspoon, Johnny, a gorilla who is the son of a crime lord voiced by Taron Egerton, and Gunther, an eccentric German pig voiced by Nick Kroll. Who will win, and can Buster find the money to save the theater? Well, you have all probably seen the movie, so you draw your own conclusion.

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So, I brought up in the opening paragraph that Illumination has great potential in their film ideas, but essentially don’t fully take advantage of them. How does that work here? Well, easy. Due to how many characters there are, their stories either feel incomplete or really rushed. Like, there could have been so much more to these story arcs if they did a couple of different things. The first change I would make would be to make the movie longer. Maybe two hours would have been nice, since then you could give characters time to breath and talk, and not just play out their character arcs away from each other. The second change would to have the characters interact more. A lot of the crucial character moments in this film are happening when the individual characters are alone. Why couldn’t they put these characters more in the same room, or work off one another? You have some great talent here, but there is only really one real scene where some of the characters interact with each other. For about 90% of the film, they are not in the same room together. Why would you do that? Why not have them in the same room and have their arcs interact with one another? It would save screentime. It also doesn’t help when you have a character like Buster Moon. For me, Buster flip-flopped between being likable, and a crummy individual. Now, I didn’t get this impression from the trailers or marketing, but I was hoping he would be like Professor Harold Hill from The Music Man and less like a seedy individual. At times he really wants to make this whole singing competition work, but a lot of his screentime is spent begging for money, stealing, and trying to forcefully change contestants who are good with one genre of music to sing a different type. His story was not the most interesting one out of the six or so that were going on. I was more invested with Johnny or Rosita more so than Buster.

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It also hurts going into the movie that you know what’s going to happen. It’s not even just the fact that the advertising showed off so much that you were left with the meh and boring sequences to look forward to. Each character’s story is very predictable, and even if the advertising didn’t ruin it for you, you know what will happen with everyone’s story. Having familiar story elements are fine, but if you don’t put a twist to them or execute them to be interesting, then nothing will be surprising. If I know what’s going to happen, then why should I watch your movie? It’s always a big problem with studios like Illumination, since you can tell they put a huge amount of money into the animation, comedy, and marketing, but not into their scripts and stories. I want to be super-supportive for newer studios or studios with obviously amazing talent, but I’m going to be critical of them when other studios, big and small, are doing much better work. Oh, and speaking of comedy, a lot of people have mentioned this and I am too, but this has quite possibly the worst fart joke I have ever seen in any animated film. It’s out of nowhere, doesn’t even fit the tone of the scene, and it’s probably the most forced fart joke that has ever been put in an animated film. Luckily, this kind of humor only pops up once, but it’s so notorious that it does affect the overall experience, due to how distracting it is.

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So, I must not like this movie huh? Well, no. I actually do like the movie. It has a lot of great positives that at the very least push it above Illumination’s other blockbuster hit, The Secret Life of Pets. While the characters are tropes, I did find them very likable and endearing, which helped because of some great actors that are behind the characters. I don’t know if it was because they were super-invested in their roles or the person in charge of their performances, but everyone did a great job. While the film does use a couple of modern songs that are painfully distracting and pandering, they only pop up here or there, and the majority of the songs are pretty good. I also give the film kudos that like DreamWorks’ Trolls, they chose actors who can sing and act, and not one or the other. I mean, when you have someone like Seth MacFarlane, you are in good hands in terms of someone who can do both. I also like that they actually wrote some original songs for the film. Granted, one of the three original songs plays at the end, and the other two are mostly sung by Scarlet’s character, but still. Everyone did a great job with their singing moments. The performances were entertaining, and personally, as an individual that watches stuff like The Voice, I got a huge kick out of how Buster talked to some of the contestants, since it was eerily similar to how some of the judges on The Voice work. I know that is a niche bit of enjoyment, but that’s just me.

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The animation is also nice. The humanoid animal designs are great and appealing to look at. Sure, the world they inhabit isn’t as wildly creative as Zootopia, but it’s decent, and unlike Zootopia, they use more than just mammals for the townsfolk. Granted, they rarely show up, but still.

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So, yeah, while this film is incredibly flawed, I still had a solid time with it. Sure, Sing could have been much better than a feel-good time waster, but for what it does do, it’s good. I won’t say it deserved to be one of the films nominated for The Golden Globes or the Oscars, but I get why it’s a hit. It’s probably the one Illumination Entertainment film I would watch the most out of their entire library, and I do like that they made two original films in 2016. A lot of people have probably already seen it, but if you haven’t, I can think of worse films to see in January than Sing. Well, we got the musical out of the way, how about we go into a more comedic film with Storks? Thanks for reading, I hope you all enjoyed the article, and see you all next time.

Rating: Go See it!

Hit-or-Miss Movie Predictions: SING

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome back to Hit-or-Miss Movie Predictions! This is where I give my first impressions of upcoming animated films, and point out the good, the bad, and the interesting. In the end, I shall predict if it will be a hit, a miss, or something different altogether.

To me, and I will repeat this for my Worst to Best list, 2016 has been an amazing year for animation. It’s easily one of the strongest years for certain companies like Disney and Pixar, but the indie scene has also been quite satisfying, with films like Miss Hokusai and Long Way North. Yes, we have had some clunkers like Norm of the North and The Wild Life, but in terms of pure overall quality, 2016 has been fantastic. In an interesting situation, the animated film to close out the year is Illumination’s second highly anticipated film, SING. This cgi-animated film is being directed by Garth Jennings of the duo, Hammer & Tongs, the directors of the 2005 film, Hitchhiker’s Guide to the Galaxy. It boasts a pretty expansive cast, including Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Tori Kelly, Peter Serafinowicz, Taron Egerton, Nick Kroll, and Nick Offerman, to name a majority of the cast. When the first trailer came out, it definitely got a mixed reception, with some being cynical about its Jukebox-style musical, and bland character designs. I still have some concerns, since I feel like Illumination is starting to show its flaws, but I know early screenings have been mostly positive. Now then, let’s begin shall we?

STORY

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At least you can say that the set-up for this film is easy to get into. Matthew McConaughey plays a koala named Buster Moon, who runs a theater with his partner in the business, Eddie, a sheep played by John C. Reilly. Unfortunately, the theater is going through some hard times, and is in close proximity of closing down. In a last ditch effort to gain some business, they hold a massive city-wide singing competition that gets the attention of many citizens of this animal world. These include a crooner jazzy mouse named Mike, voiced by Seth MacFarlane, Ash, a female Porcupine rocker voiced by Scarlett Johansson, Meena, a teenage elephant played by Tori Kelly, Johnny, a gorilla played by Taron Egerton, Rosita, a pig/mother of 25 kids voiced by Reese Witherspoon, and Bob, a German-accented pig voiced by Nick Kroll. Who will win? Will the competition be a hit?

Animation/Art Direction

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Illumination Entertainment, if anything, has shown that they were quick to adapt in terms of animation. They improved super-quickly in just a few years. Even if some of their films are the worst things of all time, like their version of The Lorax, you can’t deny that the film has great animation, and it’s no different in SING. It’s great fluid animation. On the other hand, the character designs are a mixed bag. They are harmless, but they don’t really stand out a whole lot. However, even if they are bland looking to some, they are still able to look alive and express themselves.

The Cast

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While having a cast with some big names in it doesn’t mean your film is going to be good, it still doesn’t mean that it can’t be impressive. It’s actually nice to see some actors that you wouldn’t normally see do voicework, like Scarlett Johansson. It’s also going to be the second time in 2016 that Matthew McConaughey will be doing voicework, and something that I have noticed about animated films recently is that some actors are actually attempting to immerse themselves into the roles, instead of voice-mugging for the audience. There is no excuse for actors in animated films to stop caring, even if you can’t see them visually on the screen. It’s even hard to tell that Matthew McConaughey is actually the lead character, due to how “into it” he is as Buster Moon.

Any looming concerns about the movie?

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The biggest problem with films from Illumination is that they don’t really have the best storywriters. Even by their standards, Despicable Me probably has the best of everything about them, but even then, it’s still not that amazing of a film. It’s good, but it lacks the substance that you would see in Pixar, DreamWorks, or Disney. Not every film needs to be at those companies’ levels, but there needs to be a standard in terms of storytelling. SING has always had the looming criticism from early screenings and first impressions that the story isn’t really original. Not being original is fine as long as you execute it well, but that was the big problem with Illumination’s previous film The Secret Life of Pets. It had good animation and it got the personality quirks of the animals down, but the story was boring, with clichéd characters. It’s not a good sign when you can tell what’s going to happen way before it actually happens.

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It also doesn’t help that Illumination has pretty much shown off the entire film through its advertising. That is one element that Illumination has always been called out for. They advertise their movies about six or eight months in advance, and flood the market in those months with clips, trailers, and ad spots. It makes me and many other people fatigued by how heavily they advertised it. They need to probably do two or three trailers at most. It leaves to no surprising moments in the film, since they showed it off in the trailers. I hate this about trailers, since they essentially ruin everything. Give Storks credit, they showed off a lot of the best jokes in their trailers, but they didn’t show off all of them. I know this doesn’t hurt the company in any way, since they make so much money off their movies that it’s ridiculous, but I know if I go see this in December, I’m going to go in knowing what’s going to happen. Will I enjoy it? Probably, but I’m not going to be surprised like I was with Kubo and the Two Strings or Miss Hokusai. On a side note, if SING becomes a financially successful film, I really don’t want to see them make a sequel. This looks like a one-off film. It’s like making a sequel to UP. It’s entirely pointless.

Prediction: Hit?

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This film will probably do well, since Illumination Entertainment’s films always rake in the money, even if the films themselves are not that great. I thought at first that this was going to be Illumination’s version of Shark Tale, a film that was made with no other reason than to get big celebrities together, say a couple of catchphrases, and make a soundtrack of popular songs. As the trailers have continued to be shoved into our faces, with no way of avoiding them, it definitely showed it had more to it than what everyone was thinking. I think SING will be a hit, since it has a tad more soul than what it might advertise. Early screenings of the film have been positive, but due to 2016 being a raging dumpster fire in terms of the overall quality of films this year, I don’t trust early previews, and you really shouldn’t. Early buzz for Batman v Superman: Dawn of Justice was great, but then it came out, and people hated it, with a small minority of positive reviews. Still, I have hope for SING. I do think Illumination has something there to be a great studio, but they never quite do it for me with their films. Will they get better? I hope so.