Storks

Worst to Best Animated Films of 2016 Part 2

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this editorial!)

Welcome back, everyone, to part 2 of this very long list. As usual, if you haven’t seen part 1, here is a link to it. I’m counting down the worst-to-the-best animated films that I saw from 2016, and we shall now move onto the films that are middle of the road, disappointing, and at the very least, visually interesting.

27. Monkey King: Hero is Back

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Want an example of one of the worst dubs that I can ever think of? This movie is the prime example of a distributor that didn’t really care about pushing out a good dub for this popular Chinese-animated CGI action flick. It sounds like they were rushing to get this out, and ignored the level of quality. Even then, a good dub wouldn’t have saved the other problems this film has, like its very Hollywoodized version of the legendary folk tale, horrible jokes, the multiple times the kid should have died but didn’t, and the better than most, but still middling animation. The fight scenes are fun to watch, and out of all the Chinese-animation schlock that Lionsgate, for some reason, likes to bring over, Monkey King: Hero is Back is watchable. It’s the most watchable one out of those films, but that doesn’t mean much when the rest isn’t worth sitting through.

26. Justice League vs. Teen Titans

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Man, it was kind of tough to say this was better than The Killing Joke, because I don’t like this one a lot either. Not only is the title misleading, since the Titans don’t fight the actual League members, but rather fight Trigon-possessed version of them, and get floored by them, but it also focuses way too much on quite possibly the worst character in the current DC-animated film universe, Damian Wayne. Yes, I get why he is as he is, and he does get a good fight later on in the film, but they focused way too much on the guy when it wasn’t really his story. This left the film with very underdeveloped characters that I hope get more screen-time in the upcoming Teen Titans: The Judas Contract(spoiler alert: They do.). I do like some of the characters and the scenes in Justice League vs. Teen Titans, but if this was supposed to be the one reason why we got Young Justice season 3, or anything Teen Titans-related, then I feel scammed, because I had to support a bad movie to get good stuff!

25. The Angry Birds Movie

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Talk about a film that had no reason to be anything but terrible, and ended up a rather decent experience. While I don’t think it’s a great movie, it probably had more effort put into its writing and characters, than any of the previous films on this list. For the most part, I still enjoyed the film’s dialogue, the jokes, and Red and his cohorts were fun to watch. Yeah, everything starts to dissolve into terrible film tripe when the pigs show up, the Mighty Eagle played by Peter Dinklage was pointless and easily the worst part of the movie beyond the celebrity cameos, but by the end, I was enjoying myself due to the voice work. While definitely a mediocre film, it’s the best video game adaptation to have come out to put a lot of the video game film adaptations to shame.

24. The Secret Life of Pets

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While I’m fine with this film doing well in the box office, since it shows “original” films can do well, The Secret Life of Pets still feels so painfully average. It doesn’t do anything in its story well, but it’s not bad either in what it does. I can see why people were so upset with this film’s success, due to how unoriginal and bland it can be. It also doesn’t help that it had 100 different characters who had no real personality to them. Everything was well voice acted and animated well, but the writing was weak, and the characters needed more time to either be fleshed out or taken out of the film altogether. While definitely leagues better than most films from 2016, The Secret Life of Pets will be yet another example of Illumination Entertainment having a great idea, but no noteworthy execution of said idea.

23. Trolls

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Honestly, this film was much higher on the list at one time. I loved the art style, the animation, the voice work, and some of the fairytale-style ideas. I also loved the idea of happiness that it attempted to show throughout the film. Because of all this, it rose above such horrible first impressions with that very first teaser trailer. However, as time went on, I kept bumping it down the list. It might have great ideas, but it never takes full advantage of them. About 80% of the characters don’t have any real character to them outside of their celebrity voices, and much of this otherwise-solid movie felt very manufactured. Like, really? Did we need Gwen Stefani as one of the characters, when she barely has a voice or role? Still, it’s an enjoyable watch, but I get why some were not so happy about this film.

22. Belladonna of Sadness

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Yes, this one counts, since it was never released in the states, even though it came out in the 1970s. Belladonna of Sadness was the final film from this adult animated trilogy that was started by the grandfather of all anime creators, Osamu Tezuka. It’s a beautifully abstract animated film, with all the trippy sexual energy you would see in an animated films from the 70s aimed at adults. Unfortunately, due to how limited the actual animation is, and how uncomfortable the beginning of the film is, its sexual themes will probably turn off a lot of people to this film. It’s the one film I can think of where I will agree and disagree at the same time if you love or hate this movie. It’s a bizarre and interesting experience that is definitely worth checking out if you are into film or animation history.

21. Sausage Party

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Just like Trolls, Sausage Party was higher on the list at one point, but as usual, I thought about it and bumped it down a few pegs. It was mostly because while I found the film funny, a lot of its humor was “miss”, since I’m picky about my stoner humor, and of course, the controversy revolving around the abused animators really does bring this film down. It’s a shame, too, because there was a lot of effort put into its themes and writing, it was a hilarious parody of Pixar-style films, and it’s great that this film opened the door for more animated films to be aimed at adults. It’s still a blast to watch, but your mileage may vary depending on who you are, but hey, that’s comedy.

20. Storks

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This was an amusing surprise, and a sad tragedy that this film didn’t do better in terms of box office numbers. I won’t deny that I get why people are split on this film, but at the very least, I sat through the entire film and found it to be a really great comedic watch. Yes, its world-building and characters are not well fleshed out, but it had the best comedy of the comedy-based animated films of the year. It had beautiful, fast-paced animation, a great comedic cast of actors, and it’s an entertaining experience. I wish it was better, since it doesn’t reach The LEGO Movie or Shrek 2, in terms of animated comedy heights, but I’m definitely going to be watching this one again in the future.

19. SING

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Oh, hey, look, another Illumination Entertainment film is low on the list. While I do admire that the studio was branching out in 2016 with two new films that are not Despicable Me-related, it still had plenty of the flaws you would find in these films, with underdeveloped characters, stories, and, once again, a great crowd-pleasing idea that isn’t taken fully advantage of. It was really aggravating, because this film’s advertising was everywhere, to an extremely nauseating degree. Even then, I still had fun watching this movie. The animation was great, the designs are solid, the contestants are relatable and likable, the music is fantastic, the actors did a great job portraying their characters, and it was a film I’m glad was better than what I was thinking it would be. I always like being surprised. I just hope Illumination can step up their game with future films.

That is it for Part 2 of the list, be prepared for part 3 in the future.

The Other Side of Animation 74: Storks Review

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(If you like what you see, you can go to camseyeview.biz to see more of my work on video game reviews, editorials, lists, Kickstarters, developer interviews, and review/talk about animated films. If you would like, consider contributing to my Patreon at patreon.com. It would help support my work, and keeps the website up. Thanks for checking out my work, and I hope you like this review!)

When The LEGO Movie came out back in 2014, it took the world by storm. It was one of the biggest films of the year, and one of the biggest surprises in movie history. Everyone thought this was going to be a cynical cash-in like Home or Minions, but it ended up being better than what anyone could imagine. The directors and writers put in their all for this one movie, and it paid off with being one of the best animated films of the decade. It also showed that just because you are based on a toy, doesn’t mean you have to be terrible. It was a huge victory for Warner Brothers, and a great start to their new redone animation branch. So, to me, Storks had a lot to live up to. Released back in 2016, Storks was released by Warner Brothers, and while not bombing, it didn’t do as well as The LEGO Movie, and got mixed reviews. You either enjoyed the movie, or you got really irritated with it. Where do I stand on this film from director duo Doug Sweetland and Nicholas Stoller? Well, let’s find out.

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Storks is set in a world where, well, storks don’t deliver babies to households anymore, and are more like a cartoon version of what Amazon wants to do with delivery drones and delivery-packaged goods. The lead or one of the leads is a stork named Junior, voiced by Andy Samberg, who is close to being the new boss of the company that is, as of right, now run by a stork named Hunter, voiced by Kelsey Grammar. While Junior may be close to getting the new position of boss, he is told to fire and get rid of the one human that is working there, an orphan named Tulip, voiced by Katie Crown. After some shenanigans, Junior and Tulip end up accidentally turning on the old baby-making machine (literally a machine) and, well, make a baby. It’s then up to them to get it to the family that requested it, while avoiding Hunter, a small pigeon voiced by Stephen Kramer Glickman, a pack of wolves played by Keegan-Michael Key and Jordan Peele, and a stork that went rogue long ago named Jasper, voiced by Danny Trejo.

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So, this is a lot to take in with its comedic set-up, execution, and world. How does it all work? Well, for me at the very least, this is one of those movies that could and should have had a couple of more lookovers to polish it all out. I knew going in, that this movie would be more on the comedic side of things, and that would be okay. I’m fine when a comedy wants to be a comedy, but if you are going to add heart and soul to your comedy, it needs to be balanced out with the funny moments. I mean, think about some of the great comedies of the last two decades or so. Comedies like Hot Fuzz, Kung Fu Panda, and Shrek 2 work because while they are very funny, you still cared about the characters and what they were going through. It was icing on the cake that the movie was gut busting hilarious. At least for me, Storks doesn’t really reach that height of comedy.  I don’t think its two leads, while well-voiced and can work off each other well, have the greatest of character development. You get Tulip’s drive to find her family and to make sure the baby gets to its family, but Junior doesn’t really have the best drive as a character. It doesn’t help either that it goes through a “liar’s reveal” trope, but I can give it credit that it doesn’t daudle too long on that part of the story. It also would have been nice if characters like Jasper and Hunter could have had more time to be fleshed out or be even funnier or more entertaining as characters. Even the family that the baby is supposed to be taken to, with parents played by Ty Burrell and Jennifer Aniston, should be funnier than what you get in the movie. Maybe it’s because they are fairly white bread overworked parents, but when you have those two actors, you can do more with them, and we know they can do more since both have been in fantastic animated films like The Iron Giant and Finding Dory.

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Now then, how is the comedy? Well, like most comedies that can be considered good or entertaining, there are some great jokes that are hilarious when done well, a few amusing jokes that make you chuckle, and some that fall flat. It’s a shame more films don’t take the route that the best comedies have taken, and pick and choose their jokes and not fall onto some of the more popular tropes in comedies. A lot of the visual gags and lines work, due to the animation of the film, but you do hear a groaner here and there, and characters like Pigeon Toady will either be annoying or hilarious depending on whom you are as an individual.

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Now, the film does try to cover up some plot holes by being very meta about it, with characters literally asking why these things exist, and that became fairly distracting. To me, meta humor is starting to slowly hit that point where it’s less about being very funny and clever, and more about using meta humor to hide and ignore that the story has issues. Why is the baby machine still around? Why were there storks delivering babies when there are more…natural ways of having babies? Why did the incident with Tulip shut down everything in terms of baby delivery? Why is the ‘off button’ behind a bunch of razor blades? I know when it comes to cartoon comedies, you have to just go with the flow, but the meta humor rides the line of covering up lazy world-building and writing.

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Now, that is not to say that I hate this movie. I know I just criticized it a whole bunch, but I found Storks to be an incredibly entertaining ride. The animation is great, it’s the right kind of fast, it helps the physical comedy hit it out of the park multiple times, and it’s got great designs. This is the same studio that did Cloudy With a Chance of Meatballs, and it looks so much better than what the studio had to do with in Cloudy With a Chance of Meatballs 2. Seriously, watch that movie and tell me that you see how cheap it looks compared to the original Cloudy film.

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Anyway, the voice cast also does a fantastic job. Sure, you get some pretty solid performances from some of the actors like Ty Burrell and Jennifer Aniston, and a majority of the cast sounds very engaged with their performances. I also give Warner Brothers so much credit for casting an actual honest-to-goodness voice actress for Tulip. Tulips’ actress, Katie Crown, is an actress most known for her role as Izzy from the Total Drama franchise. It’s just so rare that actual voice actors get major roles in animated films. It could have been so easy to just get a bubbly big-name actress to do this role, but they pretty much said “screw that”, and got an honest-to-gravy voice actress. As for a comedic cast, it’s really solid stuff. Andy Samberg, Keegan Michael Keye, Jordan Peele, Kelsey Grammar, Stephen Kramer Glickman, Danny Trejo, and Katie Crown all work off each other well and have some pretty great chemistry. For the comedy itself, I was laughing at multiple points in the movie, from the introduction of Key and Peele’s wolf characters, to the encounter with the penguins. Storks brings in very much “out there” brands of comedy that you would see in a Looney Toons short. I mean, it is Warner Brothers, they should know how this all works by now. Even the somewhat boring white bread family gets some great lines, but that should be no surprise, due to Ty Burrell and Jennifer Aniston being used to flexing their comedic muscles before.

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Storks might be a bit clunky in the world-building and story department, but it brings in so many laughs that it pretty much makes for an enjoyable ride. However, do I understand why it didn’t do well in the box office, and why critics were split on the film? Of course I do. I might like the film and recommend it for a good fun animated comedy, but you should be able to understand when someone else couldn’t get into it. Still, if you feel like you are in the mood for a comedy that’s less reliant on raunchy comedy and stock humor, Storks is that comedy. Well then, it’s time we look at films from 2017, and we shall start with Nerdland. Thank you for reading. I hope you all enjoyed the article, and I will see you next time.

Rating: Go see it!